The Petroff Defence has traditionally been regarded as a reliable defensive mechanism to counter the aggressive 1.e4. It also has a reputation for being one of the most drawish of all openings and a choice that Black only makes when content to achieve a draw. However, in recent years, this has all changed. A new generation of players, spearheaded by the 2018 World Championship challenger, Fabiano Caruana (whose qualification route was built heavily around the Petroff), are re-interpreting this ancient defence. While recognising the impressive solidity of the Petroff they are honing it into a fine counter-attacking weapon. Opening Repertoire: The Petroff Defence examines all aspects of this highly complex opening and provides the reader with well-researched, fresh, and innovative analysis. Each annotated game has valuable lessons on how to play the opening and contains instructive commentary on typical middlegame plans. The suggested lines for Black are based around the very latest games and analysis.
There are many defences that Black can employ against the Queen’s Gambit and it’s easy to become confused by the countless options for both White and Black. Lemos tackles this problem by providing a concise, easy-to-learn and practical repertoire that is suitable for players of all levels. Using illustrative games, Lemos examines the typical tactics and strategies for both sides, and highlights the key move order issues. This book tells you everything you need to know about playing the Queen’s Gambit.
The Sicilian Taimanov (1.e4 c5 2.Nf3 e6 3.d4 cxd4 4.Nxd4 Nc6) is a very flexible Black system in the Sicilian Defence developed by Mark Taimanov. It is characterised by the development of the g8-knight on e7, often along with a quick ...b7-b5. The Taimanov often leads to tense, dynamic position which are ripe in counterattacking possibilities.
In Opening Repertoire: The Sicilian Taimanov, highly experienced chess author and coach Nigel Davies guides the reader through the complexities of the Taimanov and carves out a repertoire for Black. He examines all aspects of this highly complex opening and provides the reader with well-researched, fresh, and innovative analysis. Each annotated game has valuable lessons on how to play the opening and contains instructive commentary on typical middlegame plans. There are also suggestions for countering White’s “anti-Sicilian” tries thus creating an entire repertoire to meet 1.e4.
The Slav (1.d4 d5 2.c4 c6) is a great choice against 1.d4 for players who are after a solid position from the opening but one that also contains dynamic possibilities. The pawn on c6 guarantees Black a firm foothold in the centre but there is also the ever-present possibility to capture on c4 and possibly even try to hold on to this pawn. The Slav is ideal for combining reliability with a promise for dynamic counterplay in the middlegame.
In Opening Repertoire: The Slav, highly experienced chess author and coach Cyrus Lakdawala guides the reader through the complexities of the Slav and carves out a repertoire for Black. He examines all aspects of this highly complex opening and provides the reader with well-researched, fresh, and innovative analysis. Each annotated game has valuable lessons on how to play the opening and contains instructive commentary on typical middlegame plans.
Learning how to start a game of chess is one of the most daunting tasks facing intermediate adult and young chess players.
Building on the tremendous success of Openings for Amateurs in 2014, Pete Tamburro offers a new collection of practical tips to help club-level and young chessplayers to play the opening on their own terms. Centering the discussion around 67 selected model games, Openings for Amateurs – Next Steps covers troublesome variations commonly seen in amateur play, such as the Smith-Morra Gambit, Grand Prix Attack, Schliemann Defense, Anti-Grünfeld, Two Knights, London System, Stonewall Attack, and the Benko Gambit, among others. As befits an experienced chess teacher, the author gives special attention to promoting positional understanding of the Open Games, isolated queen’s pawn strategies, and plans revolving around the queenside pawn majority. In combination with the original volume, you will enjoy over 600 pages of common-sense explanations for average players and 122 model games, enabling you to cope with your booked-up opponents because you understand what the positions are about once you get out of the opening.
Today's openings are reruns of an old sitcom that we have all seen a hundred times before, while for players in the past, life on the chess board was wild, unexplored territory. Learning the details of that gigantic entity, the Ruy Lopez (from either side), is on par with the time that hateful 7th-grade teacher made us memorize the capital cities of every country in the world – in alphabetical order!
The Origins series is an attempt at a "big picture" view that displays the interlocking parts of a much larger mechanism in time.
In this volume, the authors cover lines where Black does not meet 3.Bb5 with 3...a7-a6, and vast portions of this volume, are devoted to Berlin Defense Closed lines and the Berlin Wall Ending.
I was once dismissive of the attempts by amateur players to improve. To me it seemed too obvious - you either had it or you didn’t. Talent was ultimately all that mattered. All my writing on chess was really for myself. If amateur players couldn’t follow, tough.
I don’t think that this dismissive attitude towards amateurs by professional chess players is particularly unusual. There is plenty of talk about ‘fish’, and in professional circles a general level of contempt is always on display. Perhaps we too easily forget that we were once ‘fish’ and ‘patzers’ ourselves, and are probably still viewed as such by even higher-rated players. It is only recently that I have started to think more along the lines of how amateur players approach chess, and the typical mistakes they make.
Classic mistakes by amateur players include:
These and other mistakes I will try to explain in the book. Of course it should be noted that professional players also make these kinds of mistakes. I certainly do, all the time, so there is plenty of overlap and understanding of where these mistakes come from.