This trailblazing book by award-winning author Neiman provides a set of tools that enables the average club player to determine the moment he needs to look for win.

This book is about the practical approach to the game of chess. It shaped me as a player and now I would like to share my philosophy with you. My objective is to combat several generally accepted misconceptions, such as a) only studying opening theory will make you a better player, b) one should always follow the first or second line shown by Komodo or Stockfish, and finally, c) that “in theory” is equivalent to “over the board”. The last fallacy is especially dangerous because it implies that players will keep on making the best moves over the board, and therefore sidelines should never be played as the opponent will always find a way to retain and convert the advantage. That is in theory. In practice, however, many players will feel like fish out of water once they end up in a position that is objectively better for them but one that they have never analyzed. Overall, based on my experience as a chess professional, I strongly believe that the above-mentioned fallacies do not hold true empirically, The book is divided into four parts. Part I covers sidelines in the mainstream openings where I take a major opening and analyze one or several sidelines. This is the most theoretical part of the book, where I share a significant amount of original thoughts and analyses that constitute my opening repertoire. Part II discusses the concept that I refer to as systems. It still involves theory, but less so in comparison to Part I. What I am trying to convey in this part is the “schematic thinking” – where you think in terms of plans and typical ideas. Part III takes one step further in abstraction – it analyzes notable modern games where one player showed ambition early on in the game and it worked out well for him. Part IV covers the so-called “early surprises” where early on in the game a player implemented a move that shocked his opponent.

This work is a follow-up to my first book “Unconventional Approaches to Modern Chess – Rare Ideas for Black” which was published in February 2019. This time, I am flipping the board and exploring offbeat opening ideas from White’s perspective. The structure of the book has remained basically the same as before, except that I merged Part III (Showing Ambitions) and Part IV (Early Surprises) into one combined chapter Ambitions & Surprises. Part I explores sidelines in several mainstream openings. This is the most in-depth chapter of the book in terms of opening analysis. Part II presents two systems that are quite universal in nature and can be used against more than one opening. Part III gives a broad overview of a variety of aggressive lines taken from GM-level games. As I stated in the previous book, I’m a big believer in the practical approach to chess. In order to win, you don’t need to find the best move in every position. It is neither possible nor necessary. To win a game, it is enough to be just a little bit better than your opponent. To make this happen, especially when facing a strong player, you must force your opponent to solve practical problems. You must get them into a position where the cost of a potential mistake is much higher than usual. If there is no room for your opponent to make a mistake, then they are unlikely to make it. It is your job to give them plenty of opportunity to go wrong. As Mikhail Tal famously put it, “You must take your opponent into a deep dark forest where 2+2=5, and the path leading out is only wide enough for one.” This book aims to expose you to a variety of opening ideas that can help you to achieve this goal. I hope you find reading it beneficial in your future endeavors at the chess board.

This book invites you beneath the surface, where you can learn to navigate the depths of chess. Jan Markos shows how a strong player perceives chess, which features of a position he focuses on, and how he thinks at the board.

This book series is about that central question: what matters in the opening? What plans are on hand? Which (hidden) concepts are concealed in the current position that has arisen just after the opening? Volume 1 in a new series by Herman Grooten covers Ruy Lopez and Italian Structures.

This book series is about that central question: what matters in the opening? What plans are on hand? Which (hidden) concepts are concealed in the current position that has arisen just after the opening? Volume 2 in a new series by Herman Grooten covers Queen’s Gambit Structures.

After the first two volumes of the series had been produced (the first about Ruy Lopez and Italian structures after 1.e4 e5, the second about Queen’s Gambit structures after 1.d4 d5), it was time for me to consider the third volume. Since the Sicilian is such a popular opening among club players, the choice was virtually automatic and resulted in the book you now hold. It was, however, clear from early on that such a nuanced and wide-ranging opening could never fit in a single volume. That is why the series will continue with more Sicilian books after this one. As my former teacher, the late Huub van Dongen, once said: “There is more literature about the Najdorf variation alone than about the Middle Ages!” And, you know, maybe he’s right. The complexities of the Sicilian are such that it is quite the job to explain them in the style I established with the first two volumes on more classical openings. Each Sicilian variation has quite specific characteristics and deserves separate treatment. But in placing the systems in books I tried to group together those that are most similar to each other. Hence, the Dragon does not go with the Sveshnikov; in the present book you will find the Najdorf and Scheveningen variations, which are altogether more similar to each other and even have some overlap.

Aron Nimzowitsch wrote that studying the middlegame in chess means studying typical positions. Typical positions means typical pawn structures, and studying pawn structures means studying strategy. Middlegame strategy literature is rather poor. We have worked hard trying to provide the best possible material with different colleagues: Isolani Strategy by Alexander Beliavsky/Adrian Mikhalchishin/Oleg Stetsko, Hanging Pawns by Adrian Mikhalchishin, and The Center by Adrian Mikhalchishin/Georg Mohr. Other important books were written by Sergey Shipov, with his two-volume The Complete Hedgehog, and Ivan Sokolov, with his series Chess Middlegame Strategies. So, here is another try at researching typical plans. The authors, both long-term chess trainers, decided to research ideas that are important in the Maroczy structure for both sides. The Maroczy structure was played by such greats as Bobby Fischer, Tigran Petrosian, Bent Larsen and many others. We would like to present this topic in a slightly different way. Chess players and also trainers usually do not think as deeply as they should in order to achieve better results. We would like to present ideas for both White and Black and this book is written without any bias as to colour.

This book presents a Black repertoire based on the QGA. The authors consider the Classical System with 3.Nf3 Nf6 4.e3 e6, but they also offer alternative approaches – building up tension with 4…Bg4, and the destructive 4…a6 aimed at quick equalisation.

While the theory is far from being exhausted and still developing, Grandmaster Milos Pavlovic made a strong case and found new alternatives to battle White’s setups.

Combinations are the central element in chess; they make the game so magical and captivating. The beautiful point of sacrificing a queen, the strongest piece, in order to checkmate with a lowly pawn brings a smile of joy to all chess lovers. Virtually all chess games possess a combination, either one hidden in the shadows of analysis carefully avoided or one that provides a decisive blow. Winning Chess Combinations is a unique work that doesn't merely repeat the wonderfully rich and vast numbers of combinations, asking readers to solve a particular diagrammed position; it is a work that is far more realistic. A combination involves a sacrifice upsetting the balance of forces, but will it work or tragically boomerang? The reader is invited to solve this critical question by identifying the advantages that a specific position holds which might make the combination successful.

Sarhan Guliev presents a wide range of strategic manoeuvres that have been repeatedly employed by great chess players.