After the immense success of his award-winning classic Chess Strategy for Club Players Herman Grooten has now written an equally accessible primer on attacking chess. He teaches how to spot opportunities, exploit weaknesses, bring your forces to the front line and strike at the right moment.
Any good chess coach will tell you to study the endgame. Improving your knowledge of the ‘third phase’ in a chess game will bring you many extra half or even full points.
After the success of his award-winning classics, Chess Strategy for Club Players and Attacking Chess for Club Players Herman Grooten has now written an equally instructive endgame manual. He teaches you how to understand the themes of an endgame, and find the right moves based on your understanding.
International Master Herman Grooten learned about endgames the hard way, as many good players have. Early in his career, he realized there was a lot to be gained in this undervalued part of the game. Building on his experience as a player and coach, Grooten takes an original approach to convey his message: the endgames are divided according to theme, not chess material. This is a novel, but very effective way to learn the ins and outs, since many themes can occur with different material balances.
The material is richly illustrated with many examples from practical play, as well as endgame studies, which present the motifs in their purest and most attractive form. The result is a lively and highly instructive guide to the endgame.
In this new edition of his award-winning book, IM Herman Grooten presents a complete and structured course to amateur players on how to recognize key characteristics of all types of positions and how to make use of them to choose the right plan.
This is the first volume of the new series "Key Concepts of Chess". The idea is to deal with middlegames in which a certain structure or essential theme becomes central. The idea of starting this series is in line with the "Understanding before Moving" series because the aim, is to improve the understanding of club chess players. According to the author, playing an opening should be 'hung up' on stereotypical ideas and concepts belonging to this structure. The thorough exploration of middlegame structures is beyond the scope of opening books, hence it makes more sense to expose it in this complementary series. In this first volume, the "Hedgehog System" is discussed in detail. Apart from being part of the author's repertoire, this typical set-up deserves to be widely highlighted. Although in the second part of the trilogy on the Sicilian, the Hedgehog has already made its appearance, in this book the seemingly fragile, but oh so treacherous creature can reconsider its spines in an extensive way.
This book series is about that central question: what matters in the opening? What plans are on hand? Which (hidden) concepts are concealed in the current position that has arisen just after the opening? Volume 1 in a new series by Herman Grooten covers Ruy Lopez and Italian Structures.
This book series is about that central question: what matters in the opening? What plans are on hand? Which (hidden) concepts are concealed in the current position that has arisen just after the opening? Volume 2 in a new series by Herman Grooten covers Queen’s Gambit Structures.
After the first two volumes of the series had been produced (the first about Ruy Lopez and Italian structures after 1.e4 e5, the second about Queen’s Gambit structures after 1.d4 d5), it was time for me to consider the third volume. Since the Sicilian is such a popular opening among club players, the choice was virtually automatic and resulted in the book you now hold. It was, however, clear from early on that such a nuanced and wide-ranging opening could never fit in a single volume. That is why the series will continue with more Sicilian books after this one. As my former teacher, the late Huub van Dongen, once said: “There is more literature about the Najdorf variation alone than about the Middle Ages!” And, you know, maybe he’s right. The complexities of the Sicilian are such that it is quite the job to explain them in the style I established with the first two volumes on more classical openings. Each Sicilian variation has quite specific characteristics and deserves separate treatment. But in placing the systems in books I tried to group together those that are most similar to each other. Hence, the Dragon does not go with the Sveshnikov; in the present book you will find the Najdorf and Scheveningen variations, which are altogether more similar to each other and even have some overlap.
The first volume dealt with the Najdorf and Scheveningen variations, and it is now time to pay attention to three other extremely popular systems: the Taimanov, Kan and Richter-Rauzer variations. After careful consideration within the Thinkers Publishing team, we decided that it made sense to group these variations together. In particular, the first two are closely related and share the feature that, in both cases, Black plays ...e7-e6 and ...a7-a6 at an early stage. They typically have the idea of retaining more options for their king’s bishop by postponing ...d7-d6 (or even omitting it entirely.) The bishop may go to b4 or c5 in different lines. The Richter-Rauzer is, in theory, just one of the possible developments from a Classical Sicilian. We have already dealt with a few games that started with the Classical and where Black shortly played ...e7-e6; and 6.Bc4 (the Sozin variation) was rightly treated within the Scheveningen pages. However, it is clear that White’s most popular counter, the Richter-Rauzer variation (6.Bg5) deserves separate attention.