This second and final volume of my Anti-Sicilian series covers our approach for all alternatives to 2...Nc6. The choice against 2...d6 was obvious. The Moscow variation is the only critical alternative to 3.d4 that has caused any concerns for Black – by developing with a tempo, we force Black to make an immediate decision on move 3 and wait for the right moment to open the position.
Whilst in the Rossolimo book I tried to achieve an objective advantage against every line, my choices in the Moscow were mainly selected by their ability to create practical difficulties for the opponent. Naturally, it is not possible to find an advantage in every variation but I have ensured to add many detailed explanations to guide plans and aid understanding in the various positions we’ll encounter.
Against 3...Nd7, I analyse two distinct options – either castling immediately with the aim of breaking in the centre with c2-c3 and d2-d4, or first playing 4.a4 and denying Black their typical counterplay on the queenside. Against the solid 3...Bd7, I offer two choices of achieving central control. 5.c4 aims for a more positional Maroczy structure, whereas the alternative 5.0-0 transforms the position into a French advanced-type structure, where we develop interesting chances on the kingside. We already discussed 3...Nc6 in the first volume from the move order 2...Nc6 3.Bb5 d6, but I’ve analysed a second option – 6.h3 instead of 6.c3. The point is to limit Black’s piece activity by suppressing the scope of the c8-bishop.
It was a bit harder to choose between 3.c3 or 3.g3 against 2...e6 – so I analysed both! The former transposes to an Alapin where my recommendations generally revolve around generating an attack against Black’s king – this is even attempted in the more ‘positional’ lines after 3...d5 4.exd5 Qxd5. The latter aims for a slower build-up before striking in the centre with d2-d4. Particular attention is given to Black’s attempts to generate immediate activity with a ...d7-d5 push, and I think my analysis here makes Black’s path to equality extremely narrow.
Finally, I thought it was important to also consider the less popular second moves (2...g6, 2...a6, and 2...Nf6). In particular, I examined both 3.c3 and 3.c4 against 2...g6. The latter transposes to an Accelerated Dragon, which I can justify including in an Anti-Sicilian book as I believe it’s correct to enter an ‘Open-Sicilian’ type position if it benefits us. This approach has been emphasised across both volumes and it is made especially clear in the chapter against 2...g6.
This exciting defence, which is characterized by the moves 1.e4 e5 2.Nf3 Nc6 3.Bb5 a6 4.Ba4 Nf6 5.0-0 b5 6.Bb3 Bc5, always amazed me. Quite an aggressive setup, Black is aiming to get very dynamic play (even at the cost of some material in many cases) in order to put a lot of pressure on White players as early as possible! No wonder that great, ambitious players such as Anand, Shirov, and Caruana, just to name of a few, like to employ it regularly. The variation also gained some attention at the Carlsen-Karjakin world championship match from 2016.
The Ark has always been considered one of the theoretically-heaviest defences in meeting the Ruy Lopez, though also the most exciting and definitely the most beautiful of all. It requires tactical vision, good calculation and memory, but not just from us – from the White side too. Let’s not forget that! I also must say that no good lines are absent of theory, so if we’ve decided to learn something “finally”, I argue that it can very well be an ambitious, double-edged line too!
I should also mention that this book is a complete Black repertoire starting from 3.Bb5 a6, the exchange variation being the first chapter. The publisher and me agreed on offering a full package, one that should prove useful for many years to come!
The Barry Attack is somewhat defensive-looking from the start. It tempts Black forward, provocatively. The Barry Attack is, after all, a little rebellious, flouting, as it does, all those common sense development rules. Perhaps your game needs a good shot of tactics to boost your results – it’s one of the fastest ways to improve and this is true not only for young players.
If your opponent plays an early move order that’s not in this book such as 1.d4 Nf6 2.Nf3 g6 3.c5 or 1.d4 Nf6 2.Nf3 g6 3.Nc3 Bg7 for example, the good news is that Black will be forced to transpose back into the mass of material.
The ‘’super repertoire’’ that always keeps Black under pressure in all variations is of course, a total myth. Any reasonable opening set-up can work wonders for White or Black if they know it well. This is always going to outweigh theoretical evolution. Playing strong chess is also very much about your level of self-confidence, emotional and physical health. It’s about who you are and how you feel in many ways at the precise moment of play in addition to your opening knowledge and general technique.
Anyone who takes the trouble to play through each model example, move by move, note by note, will be rewarded. Your strategic play will deepen and your tactics will improve along with your assessment skills, and you’ll end up with a great repertoire!
The Colle-Zukertort is a deep independent opening in its own right, but is also very flexible. Transpositions to the Queen’s Indian or Slav are often possible. The simplicity of placing the bishop on d3, a knight on e5 and following up with f4 and Rf3 with checkmating prospects is very tempting. Underneath it all though, it is way more than that simplified idea. It is filled with rich positional possibilities and nuances that one should be aware of. I have tried to show as many aspects as possible, pointing out exactly the relevant details and knowledge that are normally only accessible to strong positional players, such as Kramnik. This opening is for fans of classical chess. I wanted to present chess in the “old” style, before players had access to engines to help them with their play and understanding. Before engines, players such as Colle and Zukertort created and innovated to such an extent that we still use their ideas today. I wanted to use this approach, to remind readers that this style of chess still exists.
Throughout the book I have tried not only to look for variations where there is always life and winning chances for Black, but also to offer decent continuations, not just say that ‘Black has counterplay’, when he might clearly be worse, which is the case in some books. The work presented here is designed for every player willing to improve his or her general understanding of the Dutch Defense, especially of the Leningrad Variation, with both colors. It provides a full repertoire for Black not only against 1.d4, but also against 1.c4 and 1.Nf3. I believe that the material offered here can help players from club level to GM level, and I hope you will enjoy reading it as much I did writing it!
Here we are, together on this page, both interested in the French Defence with 3.Nc3 Bb4. Before telling you what you can learn from this opening, let me tell you a little story about my journey in the French. I started playing the French after reading John Watson’s Play the French, which improved my play a lot. I learned that the French is a positional yet concrete opening, and many of my young opponents couldn’t grasp its subtleties. Moreover, many opponents were far less prepared against 1...e6 than against 1...c5 or 1...e5. Unfortunately those days would end. During the 2008 Dutch Youth Championships (U20), I understood that everyone would throw 7.Qg4 in the Winawer at me. In that respect, my opening preparation was simple: I’d study the Winawer for Black very intensively and the problem would be solved. In reality, I faced many difficulties. Novelties I’d find in the evenings were promptly refuted by the engine the next morning; I was constantly thinking about the French, but I couldn’t quite make it work. There was this strange, inexplicable feeling in my stomach, some might call “butterflies”. I had fallen in love with a chess line! Despite my two losses in the crucial games, I still believed I had a great repertoire with countless novelties to show for it.
A number of systems in the labyrinth of the Sicilian Defense involve the idea of increasing central pressure by playing ...Qb6. The main object of this early queen move is to decentralise the strongly placed white knight on the d4 square. The most direct way to apply this idea is the ‘Grivas Sicilian’, which arises after the moves: 1.e4 c5 2.Nf3 Nc6 3.d4 cxd4 4.Nxd4 Qb6