The Hippopotamus Defence is just what a club player needs. It’s a straightforward and clear-cut chess opening that avoids the ever growing body of mainline theory. It’s universal: Black can use the Hippo against virtually all of White’s choices (1.e4, 1.d4, 1.c4, 1.f4, the Colle, London, Trompowsky, Réti and others). It’s not very well known and will surprise many opponents. On top of all that, the Hippo is seriously underestimated: with its characteristic double fianchetto it may look quiet, but inside there lurks a very dangerous animal. FIDE Master Alessio de Santis is one of the world’s greatest experts on the Hippo and has written a practical, well-structured and accessible manual.
Aron Nimzowitsch wrote that studying the middlegame in chess means studying typical positions. Typical positions means typical pawn structures, and studying pawn structures means studying strategy. Middlegame strategy literature is rather poor. We have worked hard trying to provide the best possible material with different colleagues: Isolani Strategy by Alexander Beliavsky/Adrian Mikhalchishin/Oleg Stetsko, Hanging Pawns by Adrian Mikhalchishin, and The Center by Adrian Mikhalchishin/Georg Mohr. Other important books were written by Sergey Shipov, with his two-volume The Complete Hedgehog, and Ivan Sokolov, with his series Chess Middlegame Strategies. So, here is another try at researching typical plans. The authors, both long-term chess trainers, decided to research ideas that are important in the Maroczy structure for both sides. The Maroczy structure was played by such greats as Bobby Fischer, Tigran Petrosian, Bent Larsen and many others. We would like to present this topic in a slightly different way. Chess players and also trainers usually do not think as deeply as they should in order to achieve better results. We would like to present ideas for both White and Black and this book is written without any bias as to colour.
Bestselling author Viktor Moskalenko presents an extremely powerful set of lines for White. The guiding principle of his 1.d4 repertoire is: be bold and put pressure on your opponent as early as possible. Moskalenko does not shower you with long computer-generated variations, but has a keen eye for the essence of positions. His talent to find new resources in well-known lines results in a host of novelties, daring recommendations and cunning tricks. When you play his lines and follow his recommendations you will frequently surprise your opponent and build up positions full of swing. This is a typical Moskalenko book: practical, accessible, original and inspiring.
Fred Reinfeld’s timeless Attack and Counterattack in Chess starts with the basic premise that White plays to build on the natural initiative that is inherent in having the first move, while Black plays to sap White’s divine right to this initiative, only to take it over the moment it is possible. The book is neatly divided into two sections: How White manages to make good use of his right to the first move by taking advantage of typical mistakes by Black, and how Black succeeds in challenging that right and taking over the initiative by jumping on blunders by White. There are several points to keep in mind as you peruse the games involved. The first is that this is not an opening book. The examples of play are all built around a complete chess game that came to a logical conclusion based on one player’s muffs and the other player’s exploitation of those errors. The other point is that the poor moves that are taken advantage of were to some extent based on carelessness or inattention or lack of knowledge but were also set up on purpose by the winning player.
Many players are serious about their chess but become stuck at a certain playing strength. It’s rarely a lack of talent or practice or opening knowledge that holds them back. Usually they get left behind because they don’t know how to make best use of the time they have available to study chess. This book addresses this problem and is your self-improvement plan. It shows you how to work on your own games to root out mistakes. It will sharpen your calculation of variations. You will be challenged to find the best middlegame strategy. Endgame technique is also covered in detail. All topics are discussed with numerous examples and puzzles from the games of modern players such as Magnus Carlsen, Fabiano Caruana and Viswanathan Anand. If you want your chess to leap forward it’s time to Coach Yourself!
Imagine you are a club player who has been given the opportunity to talk at length with a famous grandmaster. How would you make the most of this opportunity? Club players are unaware of the subtleties in Grandmaster chess. Great players can analyze chess at a depth that is unfathomable to amateurs. However, having reached such a high level can make it difficult to understand what is lacking in the mind of the amateur. Lessons with a Grandmaster bridges this gap between grandmaster and amateur through a series of conversations between teacher, the renowned Grandmaster Boris Gulko, and student Dr. Joel R. Sneed, a professor of psychology and amateur chess player. The lessons are based on Gulko's own battles against fellow grandmasters, and there is particular focus on strategy, tactics and the role of psychology in chess competition.
Chess has very strict, but also fairly simple, rules: rapid development, control of the center with pawns or pieces, timely castling and defense of the king, the creation of various weaknesses in the opponent’s position, attacking those weaknesses, and control of open lines. At the same time a player shouldn’t get his queen stuck in the enemy camp, or ruin his own pawn structure. Those who know these rules will succeed. It is necessary for a chess player to know opening and endgame theory, standard combinations and motifs, as well as pawn structures and many other things. A lot of the topics listed demand a very straightforward type of thinking or approach. However it also happens that chess players often discover significant resources which formally exist outside the typical rules of chess. Those who know how to break all the rules and work around those specific guidelines reach the very top. Currently, when thousands of chess books dissect the same standard ideas in great detail, let us remember that first there were those who originally discovered them, implemented them, and made them standard, as well as those who broke the rules and created completely new ones.
The Colle-Zukertort is a deep independent opening in its own right, but is also very flexible. Transpositions to the Queen’s Indian or Slav are often possible. The simplicity of placing the bishop on d3, a knight on e5 and following up with f4 and Rf3 with checkmating prospects is very tempting. Underneath it all though, it is way more than that simplified idea. It is filled with rich positional possibilities and nuances that one should be aware of. I have tried to show as many aspects as possible, pointing out exactly the relevant details and knowledge that are normally only accessible to strong positional players, such as Kramnik. This opening is for fans of classical chess. I wanted to present chess in the “old” style, before players had access to engines to help them with their play and understanding. Before engines, players such as Colle and Zukertort created and innovated to such an extent that we still use their ideas today. I wanted to use this approach, to remind readers that this style of chess still exists.