Chess Secrets is a series of books which uncover the mysteries of the most important aspects of chess, such as strategy, attack, defence, opening play, endgames, off-board preparation and mental attitude. In each book the author studies a number of great players who have excelled in such aspects of the game, greatly influenced their peers and inspired all of us.
In Great Chess Romantics, Craig Pritchett selects five players, whose chess artistry expresses a deeply personal commitment to the discovery and revelation of great new truths and beauty on the chessboard. Anderssen defined romanticism's inherently dramatic and correct combinational core. Chigorin championed this essence in splendid opposition to an emerging new classical consensus. Réti revealed the extraordinary power of new flank openings. Larsen confounded the overly sober, scientific Soviet schoolÌ at innumerable turns. In the computer age, Morozevich constantly discovers new depths to chess, while simply oozing exquisite strokes in his best games.
Ljubomir Ljubojević belongs to a generation of extraordinary chessplayers, whose most outstanding representative is Anatoly Karpov.
Ljubojević reached number 3 in the world rankings and a potential candidate for the world title.
The book consists of forty of his best games, played between 1970 and 2008, annotated in the “Move by Move” format, with questions and exercises, a method which is effective both for training and teaching.
At the start of his career Ljubojević was notable for his dynamic and original style but his play gradually became more rounded and positionally refined.
As usual, Franco is keen to highlight the practical aspects of competitive chess, since we are playing, not against computers, but against human beings like ourselves, who make mistakes, like or dislike the position, get tired etc.
I was once dismissive of the attempts by amateur players to improve. To me it seemed too obvious - you either had it or you didn’t. Talent was ultimately all that mattered. All my writing on chess was really for myself. If amateur players couldn’t follow, tough.
I don’t think that this dismissive attitude towards amateurs by professional chess players is particularly unusual. There is plenty of talk about ‘fish’, and in professional circles a general level of contempt is always on display. Perhaps we too easily forget that we were once ‘fish’ and ‘patzers’ ourselves, and are probably still viewed as such by even higher-rated players. It is only recently that I have started to think more along the lines of how amateur players approach chess, and the typical mistakes they make.
Classic mistakes by amateur players include:
These and other mistakes I will try to explain in the book. Of course it should be noted that professional players also make these kinds of mistakes. I certainly do, all the time, so there is plenty of overlap and understanding of where these mistakes come from.
Vasily Smyslov, the seventh world champion, had a long and illustrious chess career. He played close to 3,000 tournament games over seven decades, from the time of Lasker and Capablanca to the days of Anand and Carlsen. From 1948 to 1958, Smyslov participated in four world championships, becoming world champion in 1957.
Smyslov continued playing at the highest level for many years and made a stunning comeback in the early 1980s, making it to the finals of the candidates’ cycle. Only the indomitable energy of 20-year-old Garry Kasparov stopped Smyslov from qualifying for another world championship match at the ripe old age of 63!
In this first volume of a multi-volume set, Russian FIDE master Andrey Terekhov traces the development of young Vasily from his formative years and becoming the youngest grandmaster in the Soviet Union to finishing second in the world championship match tournament. With access to rare Soviet-era archival material and invaluable family archives, the author complements his account of Smyslov’s growth into an elite player with dozens of fascinating photographs, many never seen before, as well as 49 deeply annotated games. German grandmaster Karsten Müller’s special look at Smyslov’s endgames rounds out this fascinating first volume.
The possession of the bishop pair (vs. bishop & knight, or knight pair) is an important strategic element that may guarantee superiority and even determine the outcome of the game. In modern chess, the bishop pair has been established as a positional advantage in the majority of cases, and it’s very common nowadays to hear teachers tell their students ‘keep your bishops’ or ‘capture that bishop’.
In today’s chess, the importance given to this element has increased to the point that in some of the most popular opening variations, the main goal has become to gain the bishop pair. That is because the bishop pair can be a powerful advantage in any phase of the game. For example, it’s a lethal weapon in an attack against the king. It can also be very efficient in attacking weaknesses: one bishop can put pressure on the target, while the other attacks the defending piece. However, it is the endgame where it is particularly strong.
The Belgian master Edgard Colle was one of the most dynamic and active chess players of the 1920s and early 1930s. Though his international career lasted only ten years, Colle played in more than 50 tournaments, as well as a dozen matches. Moreover, he played exciting and beautiful chess, full of life, vigor, imagination and creativity. As with such greats as Pillsbury and Charousek, it was a tragedy for the game that his life was cut short, at just age 34.
Author Taylor Kingston has examined hundreds of Colle’s games, in an effort to understand his skills and style, his strengths and weaknesses, and present an informed, balanced picture of him as a player. Colle emerges as a courageous, audacious, and tenacious fighter, who transcended the limitations his frail body imposed, to battle the giants of his day and topple many of them. 110 of Colle’s best, most interesting, and representative games have been given deep and exacting computer analysis. This often revealed important aspects completely overlooked by earlier annotators, and overturned their analytical verdicts. But the computer’s iron logic is tempered always with a sympathetic understanding that Colle played, in the best sense, a very human kind of chess.
Though not intended as a tutorial on the Colle System, the book has many instructive examples of that opening. Additionally, there is an extensive excerpt from Max Euwe’s Gedenkboek Colle, several other memorial tributes, biographical information about many of Colle’s opponents, his full known tournament and match record, and all his available tournament crosstables.
We invite the reader to get acquainted with this wounded but valiant warrior, whom Hans Kmoch called a “chess master with the body of a doomed man and the spirit of an immortal hero.”
A comprehensive guide through the Najdorf Sicilian jungle that enables you to find your way to security and initiative with the black pieces.
The so called “rare lines” have become extremely popular in recent times, so we offer you a single volume “solution” to all the nuances and complications that may arise in these less common lines.
Over the years some of the variations covered in this book got a strong following among the professionals and amateurs alike (6.h3 in particular), while some remained less explored and essayed only by the very elite (6.a3, or 6.Qd3).
IM Szuhanek presents you his deep and diligent analysis of all the possible (and reasonable) White tries with focus on more common lines. Throughout the book you will find many improvements for both sides, but with author’s clear preference for the black side.
Now you got a highly practical weapon to tackle all the White’s pesky Najdorf options!
What you are holding in your hands is the natural follow up of Volume 1 where some “lesser” openings aft er 1.d4 d5 2.c4 were examined, as well as a couple of less popular variations of the Queen’s Gambit Accepted. This second Volume comprises all of the established main lines of the QGA aft er our recommended 3.e4 with the intention of giving you a full picture of this topical opening while helping you build a repertoire based on aggressive ideas. Objectively speaking, it is very hard for White to find an advantage in the event of the absolute main lines 3…Nf6 and 3…e5, but we believe we have done our duty. We scrutinized multiple interesting variations with the help of engines while applying our human understanding to select those lines that would be the most unpleasant for Black. Additionally, we tried to provide you with as many alternatives as possible so as not to become “victims” of a narrow repertoire.
The publisher's foreword describes this as "Puzzle book meets The Master Game meets Science" — a reference to the 1970s BBC television series where grandmasters narrated their thought processes out loud as games were replayed. That comparison is accurate.
Philip Hurtado, a researcher with no prior chess book to his name, contacted Michael Adams via his website with an idea: present the same 40 positions to chess players ranging from complete beginners to Super-GM, record not just the moves they chose but their full reasoning as they worked through each problem, and use the resulting data to analyse scientifically what actually separates strong players from everyone else.
Adams — who left school at sixteen to pursue professional chess and became one of the world's top ten players — signed on, and his involvement grew considerably as the project developed. The format is straightforward: solve the puzzle yourself, then read the recorded thought processes of each solver, from club level up to Adams himself. What emerges is not a theoretical framework but observed reality: you see exactly where a 1500-rated player and a Super-GM diverge, in their own words.
The book ends with data-driven conclusions: candidate move selection, the art of falsification, and — the question Adams says he'd been asked a thousand times with no good answer — how many moves ahead a grandmaster actually calculates. An Eyetracker experiment, tracking where players of different strengths actually look on the board, adds a final dimension that no conventional chess book has attempted.
464 pages. Suitable for intermediate players and above.
I am glad to welcome you to the second volume dedicated to the Benko Gambit. This volume examines the most basic lines. It is these lines that can be found most often at the board. We’ll take a look at the rare and tricky lines and move on to the more popular and classic lines.
In the first volume, in the Introduction, we touched on my personal attitude to this opening, which has been constantly changing over the course of the last 10 years. We touched upon the history of how the opening developed, noted who needed to play this opening and what to expect from it.
What do I want to highlight in this Introduction? This is what the reader will notice in this volume – that the lines have become more specific, sometimes requiring very accurate knowledge. The load on memory increases, but it will be rewarded a hundredfold, since the positions that arise are interesting and full of dynamic factors. In this volume, we look at positions that start after 1.d4 Nf6 2.c4 c5 3.d5 b5 4.cxb5 a6. We’ll start with the rarer continuations and end with the most popular and relevant ones.
In this book’s pages you will find tons of novelties not seen in practice, and in many of the lines I offer strong improvements. Many sources were reviewed, where the authors defended certain options from White’s point of view, while I defended Black’s side. In addition, this book has absorbed my attitude and approach to various positions, and I have been analyzing the Benko Gambit for more than 10 years! I wanted to approach each position from the point of view of a human, as close as possible to a practical game. In addition, even if this book becomes outdated at some point, I am sure that it will always be possible to improve the variations – but the backbone of studying this opening can be taken from this book; this is normal work on chess.
Tartakower’s Legendary Magnum Opus
The decade after the First World War was one of exciting change for the royal game. A new wave of dynamic chess was taking shape, led by the young lions Alekhine, Réti, Nimzowitsch, Breyer, Euwe, Tartakower and others. They were successfully asserting their new ideas against the Old Guard.
It was in this period that Savielly Tartakower’s magnificent work Die Hypermoderne Schachpartie was first released. A massive tome of over 500 densely packed pages, the first edition was published in German in 1924. It was an instant best-seller and a second edition soon followed with corrections and additional material.
At first glance, it appears to be an opening manual with incredibly comprehensive notes. But in fact it is much more. There are essays on strategy, tactics, endings, history and other chess-related topics, all presented in Tartakower’s wonderful writing style. However, don’t be fooled by the witty aphorisms and humor. The scope and depth of Tartakower’s annotations would be unmatched until ChessInformant came along in the 1960s. And the rise of the silicon monsters notwithstanding, there is much fertile opening theory to be found and explored.
The Hypermodern Game of Chess is the first English-language work of the Second Edition. Several hundred diagrams have been added and some reformatting of the text has been done to meet the expectations of 21st century readers. In every other respect, it preserves all the comprehensive content.
The Hypermodern Game of Chess is now available in English. See why it has inspired generations of chessplayers. See why Tartakower’s magnum opus is, as they say, the stuff of legend...
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