The London System is a chess opening that is characterized by moves 1.d4 and 2.Nf3 followed by Bf4 and e3. This opening gained a lot of popularity among chess players because it is solid and flexible. By developing the knight on f3 and the pawn on e3, the central pawn structure is solid and well protected, making it difficult for the opponent to create any weaknesses. Such a stable center makes it easier for White to attack and, if needed, defend. The move Bf4 can be followed by a number of different moves, such as Nbd2, e3, c3, dxc5, h3, and in some cases c4, which allows White to adapt to a wide array of specific game situations. This flexibility allows for a number of different plans and possibilities, making it difficult for the opponent to anticipate White’s plan and thus counter it properly.
Sergei Tiviakov was unbeaten in a streak of more than a hundred chess games as a professional player. Who better to share the secrets of Rock Solid Chess and the activity and value of pieces than Tiviakov?
The highly acclaimed first volume of his chess strategy trilogy dealt with pawn structures. In this second volume, Sergei moves on to discuss piece play and unique chessboard situations. Topics covered include the bishop pair, opposite-coloured bishops, centralization and the almost-ignored question of when and whether to castle.
Tiviakov also demonstrates how the value of pieces can vary drastically depending on their exact position. He shows how the entire assessment of a position, and the correct strategy for playing it, can be changed by moving a single pawn from one square to another.
In the final chapters, Tiviakov discusses how to play cramped and passive positions, how to play for a win with Black and how to choose your strategy, based on the opponent’s style and other psychological factors.
Illustrated with examples from classic games and from his own games, and supported by instructive exercises, Volume Two of Rock Solid Chess offers invaluable and unique instruction on topics not covered in traditional textbooks. These strategy lessons will significantly improve your chess and are suitable for all readers, from club players to grandmasters.
Sergei Tiviakov is a grandmaster, Olympic gold medallist, three-time Dutch Champion and European Champion.
Yulia Gökbulut is a FIDE Women's Master, chess author and sports writer from Turkey.
Mikhail Tal, the 'magician from Riga,' was the greatest attacking World Champion of them all, and this enchanting autobiography chronicles his extraordinary career with charm and humor. Dazzling games are interspersed throughout with anecdotes and witty self-interviews, and in typically objective fashion he related both the downs and ups of his encounters. An inveterate smoker and drinker, Tal's life on the circuit was punctuated by bouts in the hospital with kidney problems, but nothing could dull his love for chess and his sheer genius on the chessboard. His illustrious tournament record, up to his death in 1992, is included here in full, along with 100 complete games and nearly as many positions. Tal's annotations in this book are a world apart from ordinary games collections. No reader could fail to be swept along by his passion and vitality as he sets the scene for an encounter and then recounts every psychological twist and turn.
In this book, aimed at strong tournament players (1900-2300 Elo or fast improving juniors) the authors introduce a wider approach to developing middlegame tactical and positional skills that a formidable chess player needs. Specifically, they present 111 positions from games of grandmasters played in 2019, including super-GMs such as Magnus Carlsen, Fabiano Caruana, Ding Liren, Anish Giri, Ian Nepomniachtchi, Daniil Dubov, Wesley So, Hikaru Nakamura, Levon Aronian, and Wang Hao, in which they first explain the mistake made by one of the players in underestimating their opponent’s counterplay, then they analyze how the game progressed where punishment for the mistake is meted out. After that, they return to the starting position to demonstrate the correct or a more promising continuation. Therefore, the text is structured so that each challenge contains the starting diagram twice – before the moves in the actual game, and then, on the page overleaf, before the solution. There are numerous elements that a chess player should keep in mind in the middlegame and the authors have designed this book to address specific middle-game thematic mistakes: unsound sacrifices, creating imaginary threats, imaginary defense against threats, pawn-grabbing, give check or attack material – which is best?, wrong evaluation of changes to the pawn structure, lack of vigilance in decision-making, replacing strategy with tactics and taking wrong positional decisions. Studying these key fragments from grandmaster games will help a player to develop their middlegame approach. Firstly, the student analyzes why a move or series of moves by one of the players was erroneous. What counterplay by the opponent did the player making the mistake underestimate? Secondly, armed with this answer, the student can review the position to try and figure out the better move. If the student is working with a coach, then the coach should first set up the position on the board, demonstrate the erroneous move played, and ask the student to find the refutation to that bad move. After the refutation is found by the student, the coach should once again set up the critical position and ask the student to find the strongest continuation for the initial player. This may be one or more moves, depending on the position. Naturally, in the case of self-study the student can change their approach, either trying to figure out the refutation to the error by covering up the subsequent text, or simply studying the moves in the game before trying to find the better continuation, which is detailed overleaf together with the starting diagram.
Joel Benjamin concentrates on a wide array of practical issues that players frequently have to deal with. By applying a grandmaster’s train of thought, club players will more often arrive at strong moves and substantially improve their game.
Have you ever wondered why it takes grandmasters just seconds to see what's happening in a chess position? It's all about pawn structures, as Ivan Sokolov explained in his groundbreaking book Winning Chess Middlegames.
In his 2010 bestseller, Grandmaster Sokolov focused on structures arising from 1.d4 openings; in this new companion guide, 1.e4 players get their turn. This new volume covers a dozen topical structures including various pawn formations in the flexible Ruy Lopez, Italian and Petroff openings. But also Black's doubled f-pawn in the Rauzer Sicilian, the notorious Maroczy Bind, the mysterious Hedgehog, the versatile Sveshnikov and the paradoxical French Winawer. Deeply analysed top-level games illustrate the motifs in all these structures.
Club players who study Winning Chess Middlegames 1.e4 or 1.d4 will:
– significantly improve their middlegame skills
– develop an accurate sense of which positions suit their style
– gain new strategic and practical knowledge of openings
Ivan Sokolov's analysis is profound but accessible, and he doesn't take anything for granted. As reviewer Sean Marsh wrote of the first volume: "The lucid and informative explanations convey a large amount of genuine Grandmasterly wisdom. This is easily one of the best middlegame books of recent times."
Ivan Sokolov is a top grandmaster who was born in Bosnia and lives in the Netherlands. He is a former Yugoslav and Dutch Champion and has beaten World Champions Garry Kasparov, Vladimir Kramnik and Viswanathan Anand. As a coach, he led Uzbekistan to victory at the 2022 Chennai Olympiad. Sokolov has written a dozen highly acclaimed books.
I have always been interested by less theoretical Sicilians. I have been playing the Classical Sicilian for a long time and right before the covid period, I decided to find a new one. The Sicilian Kan came to me as a very serious option, and I decided to work on it. In the meantime, my friend and editor Daniël Vanheirzeele offered me the chance to author a book about it. This came to me as a complete surprise, as I had no experience with it. In comparison with my work on the Reti and the Dutch (my two previous books), I am a newbie on the subject. But I decided to accept the challenge. I found it extremely interesting, as this gave me a fresh look at the positions. I think I managed to ask myself the questions everyone would have asked. I also work as a second for others and am accustomed to working on openings I do not necessarily play as well as finding the key ideas very quickly. So, after a deep initial work to understand the variations, I was ready to start writing!
Chess master, author, and renowned teacher Dan Heisman shows you the whys and the hows of annotating your games. Using entertaining clashes from four decades of tournament play, Heisman traces his own development as a player and analyst, illustrating how his method works in practice.
This ebook is a part of Bundle: Dan Heisman's Books
The author has countless practical suggestions for improving your endgame play in this era of rapid-time controls so that you don’t end up “drowning” in the ocean of endgame theory. Let Mark Dvoretsky help you win more games as he examines some elementary endgame errors from master play and shows you how to avoid making the same mistakes.
In the first book ever exclusively devoted to the Exchange French Variation, American grandmaster Alex Fishbein recognizes that the Exchange French is an opening for a player who likes active piece play, fights for the initiative, excels in positions with possibilities on both sides of the board, and finds strategic and tactical nuances that arise out of almost nothing. And if you play the French as Black, then this book will help you deal with White’s 3.exd5. Authors of French Defense books from the black perspective have recognized for a while that there is no draw here at all and have proposed lines where Black can create interesting play. Indeed, both sides can create complications. The author shows that playing “boring” moves is actually risky with both White and Black. The Exchange French is a vibrant opening, just like any other, and yet there has been very little literature showing how to play it from the white side. That void is filled with this book.