A new collection of puzzles carefully selected by two experienced trainers.
I realize that this book will not cover all open wounds, nevertheless my aim to write a manual about defense which can help us defenders enduring the hardest difficulties in practice, seems to be achieved. Personally speaking this book helped me as a defender to approach a worse position in a much more objective way, optimally use all of my defensive resources available, both psychologically and technically, to set – even under the most dire circumstances – pitfalls, while keeping my nerves under control.
This book is about the practical approach to the game of chess. It shaped me as a player and now I would like to share my philosophy with you. My objective is to combat several generally accepted misconceptions, such as a) only studying opening theory will make you a better player, b) one should always follow the first or second line shown by Komodo or Stockfish, and finally, c) that “in theory” is equivalent to “over the board”. The last fallacy is especially dangerous because it implies that players will keep on making the best moves over the board, and therefore sidelines should never be played as the opponent will always find a way to retain and convert the advantage. That is in theory. In practice, however, many players will feel like fish out of water once they end up in a position that is objectively better for them but one that they have never analyzed. Overall, based on my experience as a chess professional, I strongly believe that the above-mentioned fallacies do not hold true empirically, The book is divided into four parts. Part I covers sidelines in the mainstream openings where I take a major opening and analyze one or several sidelines. This is the most theoretical part of the book, where I share a significant amount of original thoughts and analyses that constitute my opening repertoire. Part II discusses the concept that I refer to as systems. It still involves theory, but less so in comparison to Part I. What I am trying to convey in this part is the “schematic thinking” – where you think in terms of plans and typical ideas. Part III takes one step further in abstraction – it analyzes notable modern games where one player showed ambition early on in the game and it worked out well for him. Part IV covers the so-called “early surprises” where early on in the game a player implemented a move that shocked his opponent.
This work is a follow-up to my first book “Unconventional Approaches to Modern Chess – Rare Ideas for Black” which was published in February 2019. This time, I am flipping the board and exploring offbeat opening ideas from White’s perspective. The structure of the book has remained basically the same as before, except that I merged Part III (Showing Ambitions) and Part IV (Early Surprises) into one combined chapter Ambitions & Surprises. Part I explores sidelines in several mainstream openings. This is the most in-depth chapter of the book in terms of opening analysis. Part II presents two systems that are quite universal in nature and can be used against more than one opening. Part III gives a broad overview of a variety of aggressive lines taken from GM-level games. As I stated in the previous book, I’m a big believer in the practical approach to chess. In order to win, you don’t need to find the best move in every position. It is neither possible nor necessary. To win a game, it is enough to be just a little bit better than your opponent. To make this happen, especially when facing a strong player, you must force your opponent to solve practical problems. You must get them into a position where the cost of a potential mistake is much higher than usual. If there is no room for your opponent to make a mistake, then they are unlikely to make it. It is your job to give them plenty of opportunity to go wrong. As Mikhail Tal famously put it, “You must take your opponent into a deep dark forest where 2+2=5, and the path leading out is only wide enough for one.” This book aims to expose you to a variety of opening ideas that can help you to achieve this goal. I hope you find reading it beneficial in your future endeavors at the chess board.
The best way to begin the Uncrowned Champions series is with the great Akiba Rubinstein. Whatever I do, I like to build my work on logical foundations, and therefore Akiba must be presented first. Why? Quite simply, there has never been a player in chess history who cared so persistently and profoundly about logic in chess.
Moreover, Akiba did not merely use logic to find good moves—he created chess logic itself. How? You have surely heard of centralizing and harmonizing the pieces as a fundamental strategic principle. Akiba was the first to apply this consistently. You have also heard that pawn action should only be undertaken once the pieces are optimally placed—again, Akiba was the pioneer. And what about the famous principle of “do not rush”? Once more, Akiba was the first to embody it fully.
As we can clearly see, we are fully justified in saying that Akiba Rubinstein was the first complete chess player—the first to master chess logic in its entirety. He was the first to play clear, plain, methodical chess. No unnecessary extravagance, no reckless risk-taking, no bluffs, no wild sacrifices—none of that. Only sound, logical moves, combined with a persistent striving for centralization and harmony.
Such a chess maestro must be your number-one mentor—especially if you have not yet reached master level. Everything starts with him. Your chess education, your journey from club or café player to master, should begin with Rubinstein. He is the leading mentor for many phases of the game, especially the middlegame and the endgame.
Every proper chess education should begin with the endgame, and therefore our first chapter is devoted to Rubinstein’s endgame masterpieces. Do not worry, however—most of the games presented in this book are also excellent tools for learning endgames. The next chapter focuses on centralization, where you will learn to appreciate its immense benefits. This is followed by a chapter on various strategic concepts, helping you become familiar with the foundations presented throughout the book.
Chapters on activity and harmony, and finally on logic and psychology, conclude the work. The emphasis throughout is on synthesizing these core concepts, without ever losing sight of activity, harmony, and logic. In the final section, psychological aspects are introduced to illustrate the real struggle of chess—the battle between two human beings, with emotions fully involved.
The 64 games presented here are my personal selection, chosen for their logic, instructive value, and beauty as I perceive it. I sincerely hope you will enjoy the material and develop your own appreciation and love for Akiba Rubinstein and his style. My lifelong mentor should become yours as well.
I truly believe that adopting his ideas, principles, and concepts is essential for reaching true master level. And if you are already a master, I am confident this book will still broaden your horizons and teach you many new and important things. Above all, I hope you will fall in love with Akiba’s style and discover how natural and effective it is to apply his concepts in your own games.
This book is a tribute to Aron Nimzovich, one of the most influential figures in chess history and a true pioneer of positional and hypermodern chess. His revolutionary ideas transformed the understanding of strategy, introducing timeless concepts such as blockade, overprotection, prophylaxis, and the principle of two weaknesses.
Nimzovich challenged the rigid classical doctrines of his era, building upon the foundations of Wilhelm Steinitz while opposing the dogmatic views of Siegbert Tarrasch. His contributions shaped modern chess theory and remain essential for players seeking true positional understanding.
Through 64 carefully annotated games, this book explores the practical application of Nimzovich’s ideas across five core themes: Center, Strategic Concepts, Maneuvering, Constriction, and Blockade. Rather than presenting only flawless masterpieces, the book reveals the real struggles, imperfections, and brilliance of a player who created the principles we study today.
The author’s central message is clear: chess improvement is not about memorizing moves, but about learning to understand the game. And for that journey, there is no greater guide than Aron Nimzovitch.
Understanding Before Moving: Part 1
What actually matters in the opening? Which plans are available, and what hidden ideas are concealed in the position you reach just as the opening ends? Those questions — far more useful to an improving player than another twenty moves of memorised theory — are the subject of Herman Grooten’s series, and Part 1 applies them to the Ruy Lopez and Italian structures.
Grooten’s premise is that you should understand before you move: grasp the typical pawn structures and the plans they dictate, and the individual moves start to make sense on their own. The book opens with chapters on how to study openings and what really goes on "behind the scenes," then builds a clear overview of the structures arising from the Ruy Lopez and the Italian Game.
The ideas are then cemented through carefully chosen model games — where you see the plans played out in full — and a set of exercises to test your understanding.
A genuinely instructive bridge between raw opening theory and practical middlegame play, ideal for club players who keep reaching the middlegame with no idea what to do. Part of an ongoing series covering the major structures.
This book series is about that central question: what matters in the opening? What plans are on hand? Which (hidden) concepts are concealed in the current position that has arisen just after the opening? Volume 2 in a new series by Herman Grooten covers Queen’s Gambit Structures.
After the first two volumes of the series had been produced (the first about Ruy Lopez and Italian structures after 1.e4 e5, the second about Queen’s Gambit structures after 1.d4 d5), it was time for me to consider the third volume. Since the Sicilian is such a popular opening among club players, the choice was virtually automatic and resulted in the book you now hold. It was, however, clear from early on that such a nuanced and wide-ranging opening could never fit in a single volume. That is why the series will continue with more Sicilian books after this one. As my former teacher, the late Huub van Dongen, once said: “There is more literature about the Najdorf variation alone than about the Middle Ages!” And, you know, maybe he’s right. The complexities of the Sicilian are such that it is quite the job to explain them in the style I established with the first two volumes on more classical openings. Each Sicilian variation has quite specific characteristics and deserves separate treatment. But in placing the systems in books I tried to group together those that are most similar to each other. Hence, the Dragon does not go with the Sveshnikov; in the present book you will find the Najdorf and Scheveningen variations, which are altogether more similar to each other and even have some overlap.
The first volume dealt with the Najdorf and Scheveningen variations, and it is now time to pay attention to three other extremely popular systems: the Taimanov, Kan and Richter-Rauzer variations. After careful consideration within the Thinkers Publishing team, we decided that it made sense to group these variations together. In particular, the first two are closely related and share the feature that, in both cases, Black plays ...e7-e6 and ...a7-a6 at an early stage. They typically have the idea of retaining more options for their king’s bishop by postponing ...d7-d6 (or even omitting it entirely.) The bishop may go to b4 or c5 in different lines. The Richter-Rauzer is, in theory, just one of the possible developments from a Classical Sicilian. We have already dealt with a few games that started with the Classical and where Black shortly played ...e7-e6; and 6.Bc4 (the Sozin variation) was rightly treated within the Scheveningen pages. However, it is clear that White’s most popular counter, the Richter-Rauzer variation (6.Bg5) deserves separate attention.
Each chapter includes a selection of highlighted ideas & concepts from White’s and Black’s perspectives.
After that follows a theoretical discussion, where, unsurprisingly, many of the concepts make a second, concrete, appearance.
Most newly analyzed games are much more modern, and most annotations there were typically made from scratch for this book.
If we count the endless online rapid and blitz tournaments, which are becoming increasingly popular, the new games presented in this book, even the fast ones, are of exceptionally high quality and incredibly important if you wish to surprise your opponent.
On top this book cuts through the dense theory that surrounds this opening and establishes a total new repertoire based around consistent strategies, concepts and novelties.
Cookie settings
We use cookies to deliver and improve our services, analyze site usage, and if you agree, to customize or personalize your experience and market our services to you. You can read our Cookie Policy here.