This book is about the practical approach to the game of chess. It shaped me as a player and now I would like to share my philosophy with you. My objective is to combat several generally accepted misconceptions, such as a) only studying opening theory will make you a better player, b) one should always follow the first or second line shown by Komodo or Stockfish, and finally, c) that “in theory” is equivalent to “over the board”. The last fallacy is especially dangerous because it implies that players will keep on making the best moves over the board, and therefore sidelines should never be played as the opponent will always find a way to retain and convert the advantage. That is in theory. In practice, however, many players will feel like fish out of water once they end up in a position that is objectively better for them but one that they have never analyzed. Overall, based on my experience as a chess professional, I strongly believe that the above-mentioned fallacies do not hold true empirically,
The book is divided into four parts. Part I covers sidelines in the mainstream openings where I take a major opening and analyze one or several sidelines. This is the most theoretical part of the book, where I share a significant amount of original thoughts and analyses that constitute my opening repertoire. Part II discusses the concept that I refer to as systems. It still involves theory, but less so in comparison to Part I. What I am trying to convey in this part is the “schematic thinking” – where you think in terms of plans and typical ideas. Part III takes one step further in abstraction – it analyzes notable modern games where one player showed ambition early on in the game and it worked out well for him. Part IV covers the so-called “early surprises” where early on in the game a player implemented a move that shocked his opponent.
This book series is about that central question: what matters in the opening? What plans are on hand? Which (hidden) concepts are concealed in the current position that has arisen just after the opening? Volume 1 in a new series by Herman Grooten covers Ruy Lopez and Italian Structures.
This book series is about that central question: what matters in the opening? What plans are on hand? Which (hidden) concepts are concealed in the current position that has arisen just after the opening? Volume 2 in a new series by Herman Grooten covers Queen’s Gambit Structures.
This book presents a Black repertoire based on the QGA. The authors consider the Classical System with 3.Nf3 Nf6 4.e3 e6, but they also offer alternative approaches – building up tension with 4…Bg4, and the destructive 4…a6 aimed at quick equalisation.
While the theory is far from being exhausted and still developing, Grandmaster Milos Pavlovic made a strong case and found new alternatives to battle White’s setups.
Chess Evolution presents a complete repertoire for White based on the London System.
The second volume contains some improvements on the first book, but the main focus is on the …g6 and …e6 setups
The set-up is based on sound principles and is easy to learn and understand. The Slow Italian may look innocent, but is actually full of venom. Ideal for the average club player but is also regularly adopted by many strong Grandmasters including the very best, such as world champion Magnus Carlsen and Anish Giri.
Club players looking to master an efficient, safe, and practical White repertoire will benefit from this highly readable book
Wojo’s Weapons has plenty to offer chessplayers of all strengths.
The final, and eagerly awaited, volume of the series will complete the opening repertoire for White according to Wojo.