For whom would I recommend playing the exchange variation of the French Defense?
First of all, for those players who strive for a clear and understandable game with good endgame technique. We would also like to surprise our opponent to some extent, throw him off his preparation, and dull his vigilance. With good knowledge, we can not only claim a theoretical advantage, but also exert some psychological pressure, since the opponent will lose his chances of winning. Perhaps they will become bored, and this will contribute to some kind of aggressive action on the part of our rivals; perhaps this will only lead to a weakening, which is what we are trying to provoke.
In the Caro-Kann Defense, I recommend playing 2.с4!?, the so-called English variation!
So-named because the English maestro Elijah Williams played 2.c4 for the first time in 1845. The idea of exploring this option also came about by chance. I always liked to study the opening and look for new, interesting and non-standard ideas. At some point, the old ideas became boring to me, and I wanted to look for something new. My gaze and attention was drawn to how Oleksandr Bortnyk plays against the Caro-Kann defense. I began further study after the moves: 1.е4 c6 2.c4 d5 3.cxd5 exd5 4.exd5 Nf6. I was surprised by the move: 5.Qа4!? You could say that I immediately fell in love with this move. Later, analyzing this option with engines a lot, I decided to create a file on my computer. The analysis expanded, I found interesting and new ideas, and then I started playing them in online games and the results surprised me.
The ‘Anti-Sicilians’ have invariably been a popular choice at all levels of the game. Analysis of this opening in previous literature has rarely been extensive due to the misconception that Anti-Sicilians are simplistic and thus, easy to play ‘by hand’. While maintaining the ideals of straightforward plans and digestible variations, this series of volumes will attempt to integrate ‘Anti-Sicilians’ into mainstream theory – with a particular focus on negating Black’s attempts to achieve any significant activity. This first volume provides significant coverage of the Rossolimo variation – perhaps the most pertinent example of how an ‘Anti-Sicilian’ has emerged to become arguably even more popular than its counterpart, 3.d4 after 2...Nc6. With a particular emphasis on analysing multiple alternatives within each critical variation, this book should appeal to anyone wishing to update and expand their knowledge and understanding of the fashionable Rossolimo.
The Basman-Williams Attack arises after 1.d4 Nf6 2.c4 g6 3.h4, which was first played by the inventive and creative English International Master Michael Basman in the 1970s and later adopted & developed by English Grandmaster Simon Williams. Nowadays, it has become a weapon used by several top grandmasters and it was even adopted for use in the recent Candidates tournament by Chinese top grandmaster and former world number 2, Ding Liren. It is a fun way to avoid Black's intentions of playing the main line theory of the King's Indian and Grunfeld Indian defenses.
If you play chess for blood, it makes sense to learn the violent tactics that feature in the openings that you play.
Club players looking to master an efficient, safe, and practical White repertoire will benefit from this highly readable book
The Semi-Slav Defense transcends its classification as a mere defensive response to 1.d4.
It embodies a dynamic and multifaceted system that offers Black not only solidity in defense but also active counterplay and strategic flexibility. Here's why the Semi-Slav is more than just a defense:
Rather than passively defending, the Semi-Slav allows Black to counterattack in the center and on the flanks. Moves like ...e6-e5 and ...c6-c5 often lead to sharp, tactical positions where Black can seize the initiative.
By delaying the development of the knight to f6, Black achieves a solid pawn structure with pawns on d5, e6, and c6. This structure provides a firm foundation for Black's pieces and restricts White's options for pawn breaks.
The Sicilian Scheveningen Defense is a highly respected and flexible variation of the Sicilian Defense, characterized by the pawn structure Black adopts with pawns on e6 and d6. It arises after the moves 1. e4 c5 2. Nf3 d6 3. d4 cxd4 4. Nxd4 Nf6 5. Nc3 e6. This setup allows Black to maintain a solid central presence while keeping options open for dynamic counterplay.
The Nimzo-Indian Defence (1.d4 Nf6 2.c4 e6 3.Nc3 Bb4) and the Queen’s Indian Defence (1.d4 Nf6 2.c4 e6 3.Nf3 b6) are two classic systems for Black to meet 1.d4. They are popular at all levels and have been played by virtually every world champion. They enable Black to gain a firm foothold in the centre at an early stage and White is not permitted the easy space advantage that occurs with many other defences to 1.d4. Black does not seek to engage White in immediate battle but postpones conflict for the middlegame when an understanding of themes and plans will be paramount.
In Opening Repertoire: The Nimzo-Indian and Queen’s Indian Defences, highly experienced chess author and coach Nigel Davies guides the reader through the complexities of these two lines and carves out a repertoire for Black. He examines all aspects of these complex systems and provides the reader with well-researched, fresh, and innovative analysis. Each annotated game has valuable lessons on how to play the opening and contains instructive commentary on typical middlegame plans.
The French Defence is a classical opening that has featured in the repertoire of many elite grandmasters. Black generally concedes a slight spacial disadvantage early but in return gains a sound structure and middlegame opportunities to undermine the white centre. A close study of the French Defence can be very rewarding for all players as the structures and themes that arise are found in numerous other openings. In this book grandmaster Damian Lemos guides the reader through the complexities of this dynamic opening and explores all the important variations.
Renowned German chess trainers Erik Zude and Jörg Hickl have created an ideal club player’s repertoire for Black. This compact manual presents a set of lines that is conveniently limited in scope, yet varied, solid and complete. The core repertoire is based on lines that the authors have successfully played at (grand)master level for decades: the Antoshin variation of the Philidor Defence against 1.e4 and the Old-Indian Defence against 1.d4. There is only a limited number of plans, ideas and structures that you need to learn, and very few forcing variations.
The first volume dealt with the Najdorf and Scheveningen variations, and it is now time to pay attention to three other extremely popular systems: the Taimanov, Kan and Richter-Rauzer variations. After careful consideration within the Thinkers Publishing team, we decided that it made sense to group these variations together. In particular, the first two are closely related and share the feature that, in both cases, Black plays ...e7-e6 and ...a7-a6 at an early stage. They typically have the idea of retaining more options for their king’s bishop by postponing ...d7-d6 (or even omitting it entirely.) The bishop may go to b4 or c5 in different lines. The Richter-Rauzer is, in theory, just one of the possible developments from a Classical Sicilian. We have already dealt with a few games that started with the Classical and where Black shortly played ...e7-e6; and 6.Bc4 (the Sozin variation) was rightly treated within the Scheveningen pages. However, it is clear that White’s most popular counter, the Richter-Rauzer variation (6.Bg5) deserves separate attention.
The author presents a full opening repertory for the club player, which is analysed in seven volumes. In the books you will find many novelties for both sides, with a full move-to-move presentation. Furthermore, the reader will get access to middlegame strategies, endgame techniques and common tactical motifs, which are patterning the proposed variations.
In the first volume the openings of the Slav Defence, the Gruenfeld Defence and the Blumenfeld Gambit are presented.
I am glad to welcome you to the second volume dedicated to the Benko Gambit. This volume examines the most basic lines. It is these lines that can be found most often at the board. We’ll take a look at the rare and tricky lines and move on to the more popular and classic lines.
In the first volume, in the Introduction, we touched on my personal attitude to this opening, which has been constantly changing over the course of the last 10 years. We touched upon the history of how the opening developed, noted who needed to play this opening and what to expect from it.
What do I want to highlight in this Introduction? This is what the reader will notice in this volume – that the lines have become more specific, sometimes requiring very accurate knowledge. The load on memory increases, but it will be rewarded a hundredfold, since the positions that arise are interesting and full of dynamic factors. In this volume, we look at positions that start after 1.d4 Nf6 2.c4 c5 3.d5 b5 4.cxb5 a6. We’ll start with the rarer continuations and end with the most popular and relevant ones.
A fun & tricky ambush weapon for Black against 1.e4?
In this book, the authors cover the exciting 1.e4 g6 2.d4 Nf6!? which players like Magnus Carlsen, Ian Nepomniachtchi, Richard Rapport, and other strong players have used with powerful effect to drag White players out of their comfort zones into Black's domain.
The authors are pulling games from many resources, including their own experiments with the opening to illustrate how it is possible to beat titled players right out of the opening by shocking White's system and beliefs.
This book is a Black repertoire against the Ruy López. We will be focusing on the Arkhangelsk (Möller) Defence.
In the modern world where computers keep getting stronger and stronger, openings need to be updated on a daily basis. After the emergence of NNUE engines, the style of play has changed drastically. Players started to sacrifice material for long term compensation/initiative trying to pose as many practical problems as possible so that it becomes difficult for opponents to solve all the problems over-the-board in the given time control.
So let me explain what I have done in the book you are holding in your hands, dear readers. Please, do not get carried away with the computer’s assessment all the time! We should not forget that we are not playing correspondence chess where the opponent has lots of time to ponder and refute our lines! In a tournament game, it is a different scenario! I believe it is important to choose the openings/positions where we feel comfortable. It is equally important to choose and study some model games in the openings we play.
I would like to quote one of my favourite sayings that had been on my mind ever since I have signed this project. One individual may die for an idea, but that idea will, after his death, incarnate itself in a thousand lives - Netaji Subhas Chandra Bose. The same way, ideas suggested in this book may die at some point or the other. However, I hope that the approach behind the moves may not die! Dear readers, I hope you will enjoy my work and if you like you can also adapt the modern-day approach of working on openings. Good luck on your chess journey!
In this, the fifth and final volume of the epic Kotronias on the King’s Indian series, Grandmaster Vassilios Kotronias completes his masterpiece by tackling all major variations after 1.d4 Nf6 2.c4 g6 which were not covered in the previous volumes. The book starts with 3.f3 and works through numerous set-ups including the Smyslov, Sokolov and Seirawan Systems, followed by the Four Pawns Attack and culminates in the mighty Sämisch System.
The Benoni is a chess opening that offers Black excellent chances to play for a win. One of the main reasons for this is that it creates unbalanced positions from the very beginning, which favors the player with a better understanding of the nuances of the position. The Benoni involves Black placing their pawns on d6 and c5, and then fianchettoing their dark-squared bishop on g7. This setup creates a solid pawn structure and puts pressure on White’s center, making it difficult for them to launch a direct attack, while simultaneously threatening the c3 knight and the b2 pawn.
The Benoni is a chess opening that originated in the 19th century, but it wasn’t until the mid-20th century that it gained widespread popularity. The Benoni was initially viewed as somewhat dubious, as it allowed White to gain a strong pawn center with moves like d5 and e4. However, in the 20th century, players such as Mikhail Tal and Robert Fischer began to experiment with the Benoni and achieve success with it. They demonstrated that the opening could create dynamic and unbalanced positions that favored Black’s attacking chances. Over the years, the Benoni has gone through many variations and refinements as players on both sides have sought to find the best way to play against it. Despite this, the opening remains a popular and viable option for Black, offering excellent chances to play for a win in the right hands.
As a player, Ivanišević has had many successful games with the Benoni, including wins against many top-ranked players. He is known for his aggressive and dynamic style of play, which is well-suited to the Benoni’s unbalanced and tactical positions. He has been playing Benoni for more than ten years in both classical and rapid chess formats.
The book “Benoni” is an invaluable resource for anyone looking to master this exciting and challenging opening. Whether you’re a beginner or an experienced player, this book is sure to help you improve your game and achieve better results. The book covers all the key variations of the Benoni and provides readers with a deep understanding of the opening’s strategic and tactical ideas. Ivanišević’s extensive experience and expertise with the opening are evident in the book, which is full of practical tips, annotated games, and detailed analysis.
The book proposes a White repertoire against all variants of the Dutch in the spirit of the London System with 1.d4 f5 2.Bf4.
Georgiev also covers the tricky move orders 1.d4 e6 2.Nf3 f5 3.Bf4, 1.c4 e6 2.d4 f5 3.Nf3 Nf6 4.Nc3 Be7 (4...Bb4 5.Bd2) 5.Bf4, 1.d4 d6 2.Nf3 f5 3.Bf4 to offer a complete repertoire with Bf4.
It is in no way worse than the standard fianchetto lines, and has the huge advantage of being unexplored and barely mentioned in the books on the Dutch. The f4-bishop often proves to be White's most important and active piece, especially when he carries out the thematic break c4-c5. At the same time it defends White's castling position. In contrast to the worn-out fianchetto lines, White always has clear plans in the middlegame, which range from pawn advance on the queenside against set-ups with ...Be7, to h4, Qf3 and long castling against the Leningrad. Play is intuitive, and Black cannot easily prepare at home as the engines consistently show a fair advantage for White while top GM games are scarce. If it comes to that, they are even misleading.
On the White side we can see grandmasters as Carlsen, Aronian, Topalov, Grischuk, Morozevich, Praggnanandhaa, Nihal, Najer, Grandelius and many others. The Bf4-System against the Dutch is not a tricky, one-game opening. It can stand deep analysis with the latest versions of Leela AI and Stockfish. That makes it perfect for a long-term repertoire.
Grandmaster Kiril Georgiev has been the strongest Bulgarian player for many years. He was a Junior World Champion and a bronze medalist in Europe. He has played in 15 Olympiads and also coached Bulgarian national team. His peak rating was in the world's top ten. Kiril wrote the books Fighting the London System, Attacking 1...d5, The Modern English, The Sharpest Sicilian, Squeezing the Gambits.
In the second volume of this repertoire set GM Kornev analyzes Caro-Kann as well as openings where White doesn’t play 1.e4 or 1.d4
After 1.e4 e5, the early bishop move to c4 has quietly become one of the most fashionable choices at every level — the modern elite has rediscovered the slow Italian and the Bishop’s Opening as a way to sidestep heavy theory and simply play good chess. This book turns that approach into a complete White repertoire.
The recommendation is built around the Giuoco Pianissimo and Bishop’s Opening structures, reaching them by various move orders (2.Bc4 and 2.Nf3 Nc6 3.Bc4) with a flexible d3 set-up. White delays committing the centre, develops harmoniously, and aims for a small, durable edge and a rich middlegame rather than a forced theoretical duel.
Coverage runs through the main set-ups Black can choose — early ...c6 and ...d5 breaks, the ...h6 and ...a6 systems, plans with Bg5, and the lines after 5.0-0 0-0 6.c3 d5 — in the Chess Stars three-part format of Main Ideas, Step by Step, and annotated games.
A practical, modern repertoire for club players who want a sound, low-maintenance way to meet 1...e5 and outplay opponents from a quiet position.
The London System has become one of the most popular weapons in club and even elite chess, and for good reason: White develops the dark-squared bishop to f4, builds a sturdy, low-maintenance set-up, and steers the game toward positions understood by plan rather than memorised by rote. This book presents a complete, up-to-date White repertoire built on it.
Rather than dumping raw theory, the coverage is organised by the structures Black can choose. Separate chapters handle the Caro-Kann-style set-ups, the early ...Qb6 counter, the Classical formations with and without ...e6, the Slav and symmetrical ...Bf5 lines, and the King’s-Indian/Grünfeld fianchetto and Queen’s-Gambit approaches — so whatever Black tries, there is a clear answer and an explained plan.
A dedicated chapter on the typical London endgames is a welcome touch, since so many of these positions are decided in simplified play where knowing the right technique matters more than any opening novelty.
The result is a practical, modern repertoire designed to be learned efficiently and relied upon for the long term. Well suited to club players who want a sound, repeatable system with 1.d4 that keeps the game on their own terms.
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