CHESS INFORMANT’S 160th ADVENTURE
STEP AHEAD
CONTENTS:
• PAVLOVIC – OVERVIEW OF CANDIDATES
• AFEK – AN UZBEK VICTORY IN PRAGUE
• PERUNOVIC – AUSTRIAN BUNDESLIGA 2023/24
• SPEELMAN – HAND IN SILICON HAND
• KOTRONIAS – KING'S INDIAN DEFENCE – 5.Be2 Variation
• NTIRLIS – DEEP OPENING IDEAS THAT ARE NOT JUST FOR GRANDMASTERS
• PRUSIKIN – ABOUT OUTPOSTS AND PAWN MAJORITIES
• BARAK GONEN – WORLD OF CORRESPONDENCE CHESS
• DJURASEVIC – STUDIES – PEARLS OF THE CHESS GAMES
• ROGERS – THE SEMTEX BLUES
• GRIFFIN – FROM THE CHESS INFORMANT ARCHIVES
Traditional sections: 355 games and fragments, combinations, endings, Tournament reviews, the best game and the most important theoretical novelty from the preceding volume.
The periodical that pros use with pleasure is at the same time a must have publication for all serious chess students!
El Tratado General de Ajedrez es un clásico de la enseñanza del juego ciencia. Se trata de una obra que nos permite descubrir de forma amena y sencilla la esencia del juego, desde las enseñanzas básicas hasta la estrategia superior. Está íntegramente transcrito al sistema algebraico de notación, los nombres de las aperturas y de las líneas han sido actualizados y se han solventado algunos errores tácticos detectados en la obra original con notas al pie.
TÁCTICA Y ESTRATEGIA
Esta entrega es la llave al apasionante mundo de las combinaciones. El autor, sirviéndose de magníficos ejemplos, logra transmitir las ideas esenciales de forma fácil y comprensible. Los temas subyacentes, como el balance entre material y tiempo, el sacrificio, el espacio o la iniciativa, están tratados con especial detalle.
Roberto Grau (1900-1944) fue un estudioso del ajedrez, actividad a la que consagró gran parte de su vida, como periodista, jugador y maestro. Obtuvo el título de Campeón Argentino en 6 oportunidades, y participó en 6 olimpiadas, logrando excelentes resultados. Dirigió las publicaciones Ajedrez Americano y Ajedrez Argentino. Su columna Frente al Tablero, en el periódico La Nación, cautivó a los aficionados de su época. Además de su obra cumbre, el Tratado General de Ajedrez, escribió La Historia de Ajedrez, Códigos del Ajedrez, Aperturas y Finales, Estrategias del Ajedrez y Cartilla de Ajedrez.
Available via subscription
British Chess Magazine (July 2024)
About 10 months ago, Nery approached me. We already knew each other; Nery had been my student in group online classes for about 2 years. Nery’s main goal and desire is to help chess lovers like himself. Let’s say we don’t know the theory beyond moves 8-10 and, in many cases, after 5-6 moves we find it difficult to make the right choice. We are also not interested in studying all these complex and long variations, it does not bring us pleasure, and we only want to understand the criteria that we can rely on in choosing a move or plan in opening positions that are critical for us. Nery came to this idea thanks to numerous positions from many of his games in which he found it difficult to make a quick and correct decision. The analysis of these positions after the game, and the conclusions made together with his coach or the computer, or even independently, brought invaluable experience for making further correct decisions in the opening.
Dear chess friends, he wants to share this experience with you.
I’m sure you will enjoy reading this book. Play chess and love chess!!!
Vassily Ivanchuk has been one of the World's leading chess players for over two decades. He announced his arrival as a 21-year-old when he defeated Garry Kasparov on the way to winning the Linares Super-Grandmaster event. In a distinguished career he has won countless elite tournaments and was a FIDE World Championship finalist.
Ivanchuk is considered by many contemporaries to be a chess genius, and he has acquired a huge fan base that delights in his enterprising and creative play. His original style has helped to create games full of brilliant attacking chess and masterful strategy. In this book, Junior Tay invites you to join him in a study of his favourite Ivanchuk games, and shows us how we can all improve by learning from Ivanchuk's masterpieces.
Move by Move provides an ideal platform to study chess. By continually challenging the reader to answer probing questions throughout the book, the Move by Move format greatly encourages the learning and practising of vital skills just as much as the traditional assimilation of knowledge. Carefully selected questions and answers are designed to keep you actively involved and allow you to monitor your progress as you learn. This is an excellent way to improve your chess skills and knowledge.
The book proposes a White repertoire against all variants of the Dutch in the spirit of the London System with 1.d4 f5 2.Bf4.
Georgiev also covers the tricky move orders 1.d4 e6 2.Nf3 f5 3.Bf4, 1.c4 e6 2.d4 f5 3.Nf3 Nf6 4.Nc3 Be7 (4...Bb4 5.Bd2) 5.Bf4, 1.d4 d6 2.Nf3 f5 3.Bf4 to offer a complete repertoire with Bf4.
It is in no way worse than the standard fianchetto lines, and has the huge advantage of being unexplored and barely mentioned in the books on the Dutch. The f4-bishop often proves to be White's most important and active piece, especially when he carries out the thematic break c4-c5. At the same time it defends White's castling position. In contrast to the worn-out fianchetto lines, White always has clear plans in the middlegame, which range from pawn advance on the queenside against set-ups with ...Be7, to h4, Qf3 and long castling against the Leningrad. Play is intuitive, and Black cannot easily prepare at home as the engines consistently show a fair advantage for White while top GM games are scarce. If it comes to that, they are even misleading.
On the White side we can see grandmasters as Carlsen, Aronian, Topalov, Grischuk, Morozevich, Praggnanandhaa, Nihal, Najer, Grandelius and many others. The Bf4-System against the Dutch is not a tricky, one-game opening. It can stand deep analysis with the latest versions of Leela AI and Stockfish. That makes it perfect for a long-term repertoire.
Grandmaster Kiril Georgiev has been the strongest Bulgarian player for many years. He was a Junior World Champion and a bronze medalist in Europe. He has played in 15 Olympiads and also coached Bulgarian national team. His peak rating was in the world's top ten. Kiril wrote the books Fighting the London System, Attacking 1...d5, The Modern English, The Sharpest Sicilian, Squeezing the Gambits.
We all have an intuitive feeling of the stress, pressure and frustration on the path to winning a World Championship in sport, but rarely will you get as unfiltered and raw an insight into the struggle to succeed as in The Mental Game.
Aleksandra Maltsevskaya won the 2018 World Junior Championship and 2022 European Rapid Championship. This book reveals the inside story of an 18-month period in which she worked with Grandmaster Alexander Galkin. A year later, Maltsevskaya became World Junior Champion. Galkin holds nothing back in revealing the highs, lows, jubilations and frustrations that were experienced in their collaboration, all while providing expert insights that will benefit chess players and coaches alike. The book contains a wealth of bonus material, including all eleven annotated games from Maltsevskaya’s World Championship victory.
In Chess Survivor – The Last of the Greats a chess legend shares his life story and annotates his best games.
When FIDE introduced the grandmaster title in 1950, Andor Lilienthal was one of the 27 names on that original list. And when he died at age 99, he was the last survivor of that historic group. This inspired our title. Douglas Griffin translated Lilienthal’s book from Russian and added 17 games to the 60 that Lilienthal annotated.
Lilienthal met or played all the World Champions of the 20th century. In fact, that understates it – Lilienthal won a game against Lasker, whose reign began in the 19th century. And some 21st-century champions, such as Vladimir Kramnik, certainly met Lilienthal. One might say that Lilienthal was connected to three centuries of chess.
Lilienthal’s quality of play matched his longevity. Most famous is his win against Capablanca in 1935. Equally famous is the story that when Bobby Fischer saw Lilienthal in the audience during his 1992 return match against Spassky, Fischer immediately said: “Pawn e5 takes f6!” – a reference to that Capablanca game.
We live in era of computers (unfortunately!) and we are simply forced to use them often and widely. Chess is no exclusion – it is impossible even to imagine modern chess without computers, engines, databases, online platforms, etc. Modern generations have their first connection with chess through computers, not books, and that is wrong of course! Young players prefer to memorize than to understand; they follow some fashionable line even if they do not know what is going on!
That motivated me to write this book – logic must be included in the process of chess education! Moreover, logic must be the most important part of that education process. Youngsters often neglect logic and not surprisingly they get surprised when their “well-remembered” variation doesn’t work.
Experienced players often lead the game out of theory, to places where understanding will prevail over memory and energy. That is my favorite concept against youngsters –setting static situations on the board – because young players usually go for dynamics, because they are good at calculating and memorizing. Understanding and logic are everything you need with statics on the board.
You can hardly find a more unconventional idea than pushing your g-pawn 2 squares down the board.
Some may say it belongs to a backroom chess game in a café, some may say it belongs to olden times - back when the King's Gambit was the main line after 1.e4 e5. But we are seeing more and more occurrences at the top-level.
Is it a coincidence ??
It's safe to say that g2-g4 (or ...g7-g5) is one of the most weakening moves available. As a matter of fact, the objectively worst first-move happens to be 1.g4, accompanied by an evaluation of -1.30 when running Stockfish 15 on low-depth (we did not see the point on letting it run in this position, it will probably get lower, that's not good advertising).
Now, there are quite a few positions where g2-g4 (or ...g7-g5) makes more sense and brings an interesting fight. The player has to be willing to take some considerable amount of risk, and that may be too much for some of us. The resulting positions often get messy and veer very much away from traditional paths, which means the expected number of mistakes gets higher, thus decreasing the drawing percentage.
Still, it's important to remain somewhat objective and not to get too excited by the thrill of an upcoming attack. Yes, g-pawn pushes are aggressive, but can also very quickly turn out to have disastrous consequences. "I wish I could play g4-g2", is usually a sign the experiment has gone wrong. The book is aimed at covering a wide range of chess openings. We decided to showcase the different categories of g4 (...g5) one may meet in the early stage of the opening, no matter if the idea is strong, interesting or quite unadvisable (bad, you may also say).
Most of the time, g4 (...g5) won't be the best move, but we will try to show that the value of surprise and the tendency of players to react solidly to aggression can matter as well. Also, we have decided not to include any Sicilians, as the g2-g4 push has become so frequent there, and in many variations deeply analyzed already.
Over the 50 games that we picked, the 3 main reasons why the g-pawn is being launched are: 1) Attacking a short-castled king with a hook created by h2-h3 (or ...h7-h6) 2) Challenging the stable position of a Nf3 (or ...Nf6). It becomes stronger when the knight doesn't have a good square to hop to. 3) Seizing space on the kingside.
The more you dive into the examples, the more you'll see that it's a mix of the 3, with one reason prevailing. We wish you happy reading and hope that you'll implement some of these lines into your play!
Although the London System has been known for a long time, it has only surged in popularity in the last decade or so. This rise can likely be attributed to many players’ desire to focus more on the practical aspects of chess, emphasizing positional understanding over the heavy use of engines and memorization of long theoretical lines. The London System has seen not just an increase in the number of games but also a deeper understanding of the positions it produces. Historically, it was sporadically used, with only a few regular practitioners, such as grandmasters Milorad Knezevic and Vlado Kovacevic from the former Yugoslavia, and the English GM Tony Miles.
Today, players like Gata Kamsky and Magnus Carlsen frequently employ the London System, and it has become a staple in the repertoires of many other grandmasters and non-grandmasters alike. The system’s various move orders and the resulting transpositions make it unique, adding a layer of complexity not as prevalent in other openings.
My personal experience with the London System has been mixed. After losing a game to Grandmaster Volkov in the Rilton Cup, I initially decided that the resulting positions were not to my liking. However, in 2019, I revisited the London System during a game in a World Senior tournament and played exceptionally well. Like any opening, it can lead to both good and bad games, but the London System has undeniably become a significant part of 1.d4 theory.
How should a chess player, be they amateur or professional, achieve their full potential? What’s the best way to prepare psychologically for the game, opponents, tournaments? How can they set goals at the board and achieve them? What techniques can they employ to react when the game takes an unexpected turn? How should they plan to avoid time trouble, and then handle it (or their opponent’s) if it occurs? What about maintaining concentration and controlling emotions at the board? How to use psychology when choosing a move or trying to achieve a draw? What’s the best approach to facing much stronger opponents? What should a player do if one’s opponent breaks the rules? How to bounce back from losses?
Woman Grandmaster Maria Manakova has written a detailed psychological manual on how to navigate these and other key matters for both club players and those setting out on their professional journey. This book contains a huge number of practical and actionable tips, drawn from both Maria’s personal experience and that of her professional peers among players and coaches. It provides examples from 24 games, some taken from Maria’s career and others played by the greats of the game (among them Carlsen, Kramnik, and Anand). It also contains a generous selection of photos from Maria’s life, as well as her own magnificent drawings that illustrate her advice.
Maria Manakova (born 1974) is a Serbian WGM of Russian origin with a career-high rating of 2395 who has played for Yugoslavia and Serbia in two Olympiads and three European team championships. Honors include silver medal at the European team championship (1999) representing Yugoslavia, gold medal in the European club championship (2002), Moscow women’s champion (2009) and Serbian women’s champion (2013). Maria has coached for three decades. Away from the board, she obtained a university degree in journalism and also studied theater. Maria has acted in theater plays and movies, co-hosted a talk show on Russian terrestrial TV, sung in a jazz band, and regularly performs as a singer-guitarist, including solo shows. Several documentary films have been made about Maria, the reason being, according to Boris Spassky, she is “a woman with a uniquely interesting life story”.
Here’s what Alexei Shirov had to say about the first edition of her book, published in 2023 in Russian: “While we ‘strong’ grandmasters narrow our perception of Earthly chess to one or two lines, Maria Manakova has embraced our entire galaxy in her work. This book will not leave any chess lover unmoved.”