Between 1984 and 1990 Garry Kasparov and Anatoly Karpov contested five long matches for the World Championship. This fourth volume of the series 'Garry Kasparov on Modern Chess' concentrates on all the games played between the two from 1988 to the present day and features their fifth World Championship match played in New York and Lyon 1990. The period after 1990 was also a fascinating one in the chess world as it witnessed the emergence of a new generation of young grandmasters capable of challenging the supremacy of the two 'K's'. Between them these great champions had dominated the chess landscape for the previous two decades and it has seemed unthinkable that a major tournament could be won by a different player. Now, however, grandmasters such as Viswanathan Anand, Vassily Ivanchuk, Nigel Short, Boris Gelfand, Vladimir Kramnik and Veselin Topalov arrived on the scene and proved themselves capable of competing successfully at the very highest levels. This period also witnessed an increasing disatisfaction amongst the world elite with the traditional ruling body, FIDE (the World Chess Federation). This led to attempts by the leading grandmasters to organise the World Championship cycle outside of FIDE's jurisdiction. In the late 1980s the Grandmasters Assocation (GMA) was created and was responsible for the organisation of the World Cup - a tournament championship of the world's leading chess players. Another organisation, the Professional Chessplayers Association (PCA) followed in 1993. In this volume Garry Kasparov (world champion between 1985 and 2000 and generally regarded as the greatest player ever) analyses in depth all the games and matches he played against his great rival Anatoly Karpov from 1988 to the present day. Kasparov was personally involved in the creation of both the GMA and PCA and gives a fascinating insight into this important time in chess history.

New and substantially expanded edition of a modern chess classic. By chance, in 2013 publisher New In Chess discovered a previously unnoticed and unpublished extra batch of endgame tactics collected by the legendary Dutch correspondence grandmaster Ger van Perlo (1932-2010). More than 250 fresh examples have been added, making this fourth edition 25% BIGGER than its predecessors. For casual players and club players. Why is it that most amateur chess players love opening and middlegame tactics but hate endgames? Why do you usually look at only a couple of pages in any endgame theory book you see? Sit back, forget about theoretical endgames, and enjoy the entertainment of real life chess in Endgame Tactics! There is no substitute for hard work in getting better at chess, as a wise grandmaster once said. But you always work harder at something you enjoy. Make the first step towards improving your endgame play (and beating more opponents) by learning to love the endgame. Endgames are fun, and the examples from everyday practice in Endgame Tactics prove it. – New (4th) and 25% expanded edition of a best- selling modern classic; – More than 1,300 Sparkling Tricks and Traps; – WINNER of the ECF Book of the Year Award; – WINNER of the ChessCafe Book of the Year Award; – Makes regular players discover the fun in endgame.

With the seemingly bulletproof Berlin Wall and Marshall Attack continuing to thwart White’s best efforts to find an advantage in the Ruy Lopez, many top players have incorporated the Italian Game (1.e4 e5 2.Nf3 Nc6 3.Bc4) along with the related Bishop’s Opening (2.Bc4) into their repertoires. In this two-volume work, GM Martyn Kravtsiv shares his insights on this Italian Renaissance from White’s perspective. Before reaching the Italian, White must be ready to deal with the Petroff Defence (1.e4 e5 2.Nf3 Nf6). In the first part of this, the first volume, Kravtsiv advocates the well-regarded 3.Nxe5 d6 4.Nf3 Nxe4 5.Nc3 variation, offering an array of weapons to cause problems for Black, including a large number of untested yet dangerous ideas. The next topic is the Bishop’s Opening, which can be used as an optional Anti-Petroff move order as well as a weapon in its own right. 2.Bc4 may or may not transpose to the main Italian lines, and it is useful to be able to play both move orders in order to choose the most effective sequence against each opponent. By combining this book with its companion volume, you too can be a part of The Italian Renaissance. Martyn Kravtsiv is a Ukrainian Grandmaster with a peak rating of 2685, with expert knowledge and experience of 1.e4.

In this, the second book in his two-volume work, GM Martyn Kravtsiv shines the spotlight on the Italian Game (1.e4 e5 2.Nf3 Nc6 3.Bc4). Most chess players learn the basics of this opening as beginners, yet it contains enough depth and complexity to provide the world’s best players with a rich and ever-evolving battleground. Though written unmistakably from White’s perspective, this work takes a different approach from that of a typical repertoire book. Rather than filling valuable pages analysing rare, inferior and generally irrelevant options, the author delves deep into the most important main lines, explaining the key move-order details and providing White with a series of well-researched ideas which will force your opponents to solve difficult problems at the board. Join The Italian Renaissance and create your own masterpieces! Martyn Kravtsiv is a Ukrainian Grandmaster with a peak rating of 2685, with expert knowledge and experience of 1.e4.

Times are changing (as even the Wild West at some point became industrialized) and theory has developed on everything. It has therefore become possible, inter alia, to try and write a rigorous opening manual on the Modern. What I mean is not that equality has been found and this should be your exclusive opening choice for all time to come (I would be lying to you if I said that) but rather that there is now a roadmap as to how you should study this opening. About time, given the number of 1.e4 repertoires that have been written and which contain anti-Modern recommendations (usually in the ‘Other’ or ‘Miscellaneous’ section towards the back!) that nobody has taken the time to combat rigorously. Furthermore, there has been a sea change in the ethos of Modern players (and also Pirc players): we no longer wish to get something totally new, or redefine the concept of development in Hippo style, but usually these days we want to get a Sicilian structure! That is to say, a position where Black gets to play …cxd4 (or have White play dxc5) and thereby obtains a central majority that will stand him in good stead for the long term. That has now become the intellectual gold standard, a trend that has progressed in tandem with the inclusion of this opening in more players’ repertoires and its slow shift in towards the mainstream from the fringes of what is acceptable. As artisans (for we must never forget our roots) on this moving fringe, it is important to have your bearings. Nowadays (and however much you feel like playing it freehand) if you want to include the Modern in your repertoire you should do some study. You should know, for instance, where White can get a safe plus (in my opinion, just chapter III.2), where White can get a less-safe plus (chapter IV.4), and where there are routes to equality, dynamic or otherwise (essentially the rest of the book!)

Feature articles and hundreds of deeply annotated games

Let me share here how I have made my choices for this second volume. Ten years ago, I would sometimes even play the Petroff against people who had games with 3.Nd2 in the database. I actually thought that the Petroff gave me better winning chances! You might have a similar story. 3.Nd2 gives White a very nice pawn structure so it is difficult to get a grip on the position as Black. For many years I have tried moves like 3...Nf6 from the GM Repertoire book or the more drawish 3...c5 and 4...Qxd5 line. It has taken me a lot of time to find the variation against 3.Nd2 which best fits my playing style. After trying virtually every possibility, there is only one satisfactory variation for me – the isolated pawn! The reason why I had left this option at the bottom of my list initially is because there was a firm belief at the time that Black was worse in these isolated pawn positions. On the flipside, players on the white side have usually studied the lines after 3...Nf6 or 4...Qxd5 in much greater depth. This is one reason why people often mix up their theory as White. Typically they assume they are already better, so why would they need to remember any subtle details? The whole point of 3.Nd2 is to be microscopically better. Fortunately, this can all be easily neutralized with good opening knowledge. Whilst studying most of the existing literature, I have noticed that there is hardly any recent analysis on the systems with 3...c5 and 4...exd5. Still, many authors who have been covering them from White’s perspective have a lot of respect for the variations and hardly achieve anything against them. When I started to play with the isolated pawn myself, my results against 3.Nd2 became better. My score against 3.Nd2 is actually better than my score against 3.Nc3 now. I have noticed that in correspondence chess, these isolated pawn lines are favored by black quite often. That is when I realized that this small advantage was just a prejudice. I have to admit, the positions are slightly harder to play for Black. However, that is probably also true for the other lines against 3.Nd2. It just takes some time to become familiar with all the possibilities and ensuing middlegames. But once you finally master the isolated pawn structure, it will serve you well and equip you with a wide selection of tools with which you can outplay your opponent. My original plan for this book was to cover 3.Nd2 as well as all the other options besides 3.Nc3, but I believe it is much more important to focus on showing as many examples as possible of how to play with different versions of the French isolated pawn. All the material in this book is designed for you to be able to pick your favorite line in the 3...c5, 4...exd5 system. Consequently there will be a third volume in this series, covering the rest of White’s options against the French.

This book is about the Marshall Attack and the lines which can be grouped together under the banner of the so-called Anti-Marshall. The theory has developed so much in the last decade that there is more than enough material to be going on with just in those areas, but I also decided to include a detailed look at an important line in the Exchange Variation. Black’s key concept in the Marshall is giving up a central pawn in return for activity, and I have tried to give as many lines as possible which adhere closely to this principle. Why is this so significant? Well, for starters, usually in the Ruy Lopez Black is looking for long, slow games in solid, closed positions. The Marshall flips this on its head and Black tries to accelerate the play and radically change the character of the game at an early stage. Let’s briefly discuss the material of the book itself and the lines that I have decided to give. First of all, I started off with the standard Marshall Attack, after the initial moves: 1.e4 e5 2.Nf3 Nc6 3.Bb5 a6 4.Ba4 Nf6 5.0-0 Be7 6.Re1 b5 7.Bb3 0-0 8.c3 d5. I have given direct analysis wherever possible and I have tried to cover all the essential lines. Of course, with the passing of the years and the continual development of theory we can see how the popularity of some positions has shifted and, in some cases, how certain lines have simply been rendered obsolete. I also discovered, to my surprise, that there are still new, unexplored, and interesting paths for further analysis.

In the Alapin System White's strategic idea is extremely simple. He prepares to advance with d2-d4, to build a solid pawn centre and then dictate the play. He will have to pay for this with the fact that his queen's knight has been deprived of the best square for its development, but it may have other suitable squares (in many variations this will be not the d2-square but a3). Secondly, it very often happens that after d4 cxd4 cxd4, White's queen's knight still gets access to its best square on c3. The modern evaluation of this system is that Black has comfortable enough lines in which he can obtain an acceptable game. The authors try to prove that not all of these lines are equally good.

In the third part of Improving the Endgame Technique series Ukrainian GM Valeriy Aveskulov offers his readers to strengthen their practical skills in the king and pawn endgames. If you are well familiar with basic theoretical positions and have an idea about most popular tricks in pawn endgames this work will provide you with well-annotated examples from both classical and newest tournament games. Their serious studying will definitely make you more masterful in this type of endgames.

Van Delft has created a unique thematic structure for all types of positional sacrifices. He shows the early historical examples, explains which long-term goals are typical for each fundamental theme and presents lots of instructive modern examples. He then concentrates on those sacrifices that have become standard features of positional play. Solving the exercises he has added will further enhance your skills. Playing a positional sacrifice will always require courage. Merijn van Delft takes you by the hand and not only teaches the essential technical know-how, he also helps you to recognize the opportunities when to take the plunge. Mastering Positional Sacrifices is bound to become a modern-day classic.

This book is based on real amateur games and shows how an average club player can proceed through the ranks and reach master level. It is a hard struggle, with set-backs and disappointments. Just like real life. Alex Dunne guides the reader in the more than 50 games they will be playing and offers lots of practical, straightforward and effective advice. He explains when and how to activate your pieces and how to recognize and punish the errors that opponents are bound to make. At the end of the book, experience, technique and confidence will have improved in such a way that the first win against a master will not come as a big surprise. After all, the reader will have reached master level! This is an improved and extended edition of the 1992 bestselling classic.