In "The Duel", Alessandro Bossi and Claudio Brovelli go deep into the lives of these two legendary World Champions, who have left their mark in an unforgettable manner on their epoch (the first forty years of the 20th century) and who remain – in part, due to their very different personalities and relationship with the game – inimitable examples for all the chess-playing generations to come. The choice to present in parallel the two biographies (in my opinion quite rightly so), shows clearly and effectively similarities and differences, not only in the style of play, but also in the approaches to life of the two protagonists. With very precise historical descriptions and presenting the events in chronological order, the authors accompany us on a journey alongside the lives of these two legends of chess. In this fashion the personalities emerge, in many ways antithetical but equally fascinating: Capablanca, friendly and charming in society, precocious, genial and nearly invincible on the chessboard, and Alekhine, who combined a wonderful talent with a capacity for work, a competitive attitude and an energy which was truly enviable.
Volume 2 is divided into eight chapters. Unlike Volume 1, it is possible to mix the order in which you study these chapters, but not to study the games within each chapter out of order, since the examples build upon each other in complexity. I suggest that the chapter on “Passed Pawns” should be studied first, because many of the various middlegame structures can ultimately give rise to a passed pawn in the endgame. Work carefully through these examples, because masters use pawn structures even in the opening to predict the properties of endgames which can potentially arise – this is a widely neglected aspect and can be a strong weapon for you!
Welcome to Volume 2 of Cheparinov's 1.d4!.
In the second part of the series, I am sharing my knowledge about the Slav Defense. I am confident that the book contains many new and interesting ideas and I have tried to provide you with the best practical options. Objectively speaking Black looks good in many lines but in practice things may look different. While I cannot promise you a big advantage in each line, I do believe you will have the best practical chances during the game.
Writing the second volume was very challenging for me. The Slav encompasses a wide but solid body of theory. Black has plenty of options and finding advantages and practical chances was not easy at all. In any case I believe that chess players from amateurs to very strong players will appreciate this book. While the Covid pandemic gave me a lot of free time to concentrate on the book, I am very happy to see that many tournaments are back. This means that my book can be useful, and you may actually be able to apply some of the ideas in your games.
The best way to use this book is to first examine the lines on an actual board and then check them with an engine. I hope this method of study increases your understanding of the positions that arise from the Slav. This book can be a very important starting point for building your 1.d4 repertoire.
Why is a passed pawn usually considered a great asset? By definition, a pawn is passed when it can advance to promotion without encountering any opposing pawns in its path. Possession of a passed pawn and the ability to exploit its potential is a strategic element that can often determine the result of the game. A passed pawn is sometimes colloquially called a passer.
The passed pawn may prove significant in the middlegame, gaining space and tying down the opponent’s pieces, but its true strength comes to the fore in the endgame. In practically all types of endgames, possession of a passed pawn is considered a decisive advantage, particularly when the remaining material is scant. Even if it proves impossible to promote the pawn, its mere presence is enough to restrict the enemy pieces, force material gain or simply maintain the initiative. Consequently, this strategic element greatly influences — and is influenced by — the matter of piece exchanges.
A passed pawn must be blockaded, so as to have its power restrained as much as possible. The minor pieces (knight or bishop) are ideal for this purpose, as they can rarely be forced to retreat by enemy action. On the other hand, the major pieces (queen and rook) find it difficult to achieve a stable blockade as is easy to harass them, while one must also consider that, for such valuable pieces, dealing with a mere pawn cannot be an efficient form of employment. Taking the above into account, it becomes clear that the side with the passed pawn should seek to
exchange minor pieces and retain the major ones; the opposite applies to the defending side.
A factor of crucial importance is the ability of the defending king (i.e., the one facing the passed pawn) to participate in the proceedings. After exchanging the major pieces (and especially the queens), the king can approach the passed pawn and blockade it (or generally stop its advance), thus freeing the other pieces of its army for other duties. A passed pawn that has been securely blockaded and efficiently neutralized may become a weakness and then this very important element may even lead to the loss of the game.
In general, the side possessing a passed pawn has clearer plans and aims. The other side usually seeks ways to blockade it or, if this proves impossible, obtain counterplay on another part of the board. One good option is harassment of the opponent’s king. In practice this option often proves very effective, but unfortunately it is not always available! The most fundamental rule of exploiting this strategic element is: passed pawns must be pushed!
The idea behind this book is for you to ‘play’ as in a real game, and it is my job to ensure you have a pleasant time while training. I suggest you take at least an hour and a half for each game and as your coach I will indicate when to guess the moves. Sometimes there will be suggestions — including tricky ones — to measure your concentration level. Th e ideas behind the moves are always explained.
Points are awarded for the ‘right answers’ as well as for some other moves, and at the end there is a general assessment plus a review of some of the things to be learned from the game. During my coaching period I was able to witness how motivating it is for kids to receive points for the right answers, their ‘lives are at stake’ when they try to find the answers, and it is a challenge much appreciated by them. Later I also noticed a similar effect with adults although, unlike the kids, the older students try to hide it.
The final score is not that important; it is not scientifically based. But of course the more points you get the better you ‘would have played’. The effort you put into trying to find the best move every time is what matters most. I firmly believe it really helps to learn a little more about playing chess with every game.
This book contains games from every single female World Champion, as well as young up and comers, top seasoned professionals, streamers, and even a section at Beth Harmon from the recent famed Queen’s Gambit hit show.
This book is not just for girls and women, however. Any chess player can learn from these games and discover female chess history, both from the famous players in the past right up to the present day.
How have these games been selected?
It is at this point I can mention the real reason - my UK Girls chess project called ‘She Plays To Win’ (SPTW).
This group has officially been going since April 11 th 2020. I had the idea even a few years before, but I was not sure how it could be set up. The unfortunate events of worldwide lockdown provided the answer, as the switch to being online allowed me to offer zoom lessons for UK girls as well as weekly girls tournaments on the Lichess server. I do this for free and parents have never paid anything to get involved.
Each week I cover a top female player and we analyse the game. Over the past year I have built up a large collection of games and tactics, which I felt could be published. It is the most up to date collection about women’s chess covering a variety of ages and levels.
After nearly two years, I have nearly 500 girls across the UK signed up, and a further 200 girls in our new beginners programme. I hope this is just the beginning.
After all, on our official website www.sheplaystowin.co.uk the tagline reads ‘Every Girl in the UK should play and learn chess - the educational benefits are huge’.
I can announce that I personally will not take a penny from this book, as 10% of the proceeds from sales will go directly to the She Plays To Win charity in order to further the SPTW UK girls chess projects.
So not only can you benefit a lot from this book personally, your purchase will benefit UK girls chess immensely.
“Strategy without tactics is the slowest route to victory. Tactics without strategy is the noise before defeat.” Sun Tzu
Mostly basing my chess work on this statement of the great Chinese military theoretician, I have managed throughout my chess coaching career to implement many of his principles, and even establish them as being valid for the game of chess. I think the statement above should be taken as an axiom. Thus, strategy must be the leading chess topic, and definitely based on logic. Moreover, strategy must tower over all other chess topics and sub-topics; strategy is the ultimate chess idea and it sublimates and determines other principles.
How to learn strategy? Can it be learned? It can be, of course. And these volumes are the perfect guide to learn (or, more precisely, to learn to understand) strategy.
My idea is to throw light on all the strategic concepts in these volumes. To help you navigate more simply, I have divided all the material into two volumes. This first one is exploring the elements of strategy, explaining typical and essential principles in detail. The second one is about pawn structures. Of course, structures themselves actually mean nothing without recognizing patterns and principles from the elements (because pawn structures are used to determine the values of pieces, for instance). That is why volume two can be considered as an advanced level of strategy. Generally, examples will be based on material adopted from volume one and upgraded.
I was once dismissive of the attempts by amateur players to improve. To me it seemed too obvious - you either had it or you didn’t. Talent was ultimately all that mattered. All my writing on chess was really for myself. If amateur players couldn’t follow, tough.
I don’t think that this dismissive attitude towards amateurs by professional chess players is particularly unusual. There is plenty of talk about ‘fish’, and in professional circles a general level of contempt is always on display. Perhaps we too easily forget that we were once ‘fish’ and ‘patzers’ ourselves, and are probably still viewed as such by even higher-rated players. It is only recently that I have started to think more along the lines of how amateur players approach chess, and the typical mistakes they make.
Classic mistakes by amateur players include:
These and other mistakes I will try to explain in the book. Of course it should be noted that professional players also make these kinds of mistakes. I certainly do, all the time, so there is plenty of overlap and understanding of where these mistakes come from.
The possession of the bishop pair (vs. bishop & knight, or knight pair) is an important strategic element that may guarantee superiority and even determine the outcome of the game. In modern chess, the bishop pair has been established as a positional advantage in the majority of cases, and it’s very common nowadays to hear teachers tell their students ‘keep your bishops’ or ‘capture that bishop’.
In today’s chess, the importance given to this element has increased to the point that in some of the most popular opening variations, the main goal has become to gain the bishop pair. That is because the bishop pair can be a powerful advantage in any phase of the game. For example, it’s a lethal weapon in an attack against the king. It can also be very efficient in attacking weaknesses: one bishop can put pressure on the target, while the other attacks the defending piece. However, it is the endgame where it is particularly strong.
What you are holding in your hands is the natural follow up of Volume 1 where some “lesser” openings aft er 1.d4 d5 2.c4 were examined, as well as a couple of less popular variations of the Queen’s Gambit Accepted. This second Volume comprises all of the established main lines of the QGA aft er our recommended 3.e4 with the intention of giving you a full picture of this topical opening while helping you build a repertoire based on aggressive ideas. Objectively speaking, it is very hard for White to find an advantage in the event of the absolute main lines 3…Nf6 and 3…e5, but we believe we have done our duty. We scrutinized multiple interesting variations with the help of engines while applying our human understanding to select those lines that would be the most unpleasant for Black. Additionally, we tried to provide you with as many alternatives as possible so as not to become “victims” of a narrow repertoire.
I am glad to welcome you to the second volume dedicated to the Benko Gambit. This volume examines the most basic lines. It is these lines that can be found most often at the board. We’ll take a look at the rare and tricky lines and move on to the more popular and classic lines.
In the first volume, in the Introduction, we touched on my personal attitude to this opening, which has been constantly changing over the course of the last 10 years. We touched upon the history of how the opening developed, noted who needed to play this opening and what to expect from it.
What do I want to highlight in this Introduction? This is what the reader will notice in this volume – that the lines have become more specific, sometimes requiring very accurate knowledge. The load on memory increases, but it will be rewarded a hundredfold, since the positions that arise are interesting and full of dynamic factors. In this volume, we look at positions that start after 1.d4 Nf6 2.c4 c5 3.d5 b5 4.cxb5 a6. We’ll start with the rarer continuations and end with the most popular and relevant ones.
In this book’s pages you will find tons of novelties not seen in practice, and in many of the lines I offer strong improvements. Many sources were reviewed, where the authors defended certain options from White’s point of view, while I defended Black’s side. In addition, this book has absorbed my attitude and approach to various positions, and I have been analyzing the Benko Gambit for more than 10 years! I wanted to approach each position from the point of view of a human, as close as possible to a practical game. In addition, even if this book becomes outdated at some point, I am sure that it will always be possible to improve the variations – but the backbone of studying this opening can be taken from this book; this is normal work on chess.
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