The Black Lion is a thoroughly modern counterattacking system that is a nightmare to face. This wild and aggressive line attempts to take away White’s initiative from a very early stage and is guaranteed to throw your opponents off balance.
The Black Lion is essentially a contemporary and aggressive interpretation of the Philidor Defence (1 e4 e5 2 Nf3 d6). The Black Lion starts with a slightly different move order, 1 e4 d6 2 d4 Nf6 3 Nc3, and now the lion family splits into two different animals: the risky lion (3...Nbd7) or the tame lion (3...e5). Both treatments are thoroughly investigated in this book.
Simon Williams (the Ginger GM) is the ideal guide to explain how to whip up an extremely dangerous attack using either treatment. Williams is well known for his swashbuckling, attacking play and the Black Lion suits his style perfectly. His commentary and annotations are always instructive and entertaining.
– The Black Lion is an unusual and dangerous system with little established theory.
– White cannot rely on simple, safe moves as such a strategy is liable to be overrun.
– The Black Lion is fun and exciting to play!
Most chess openings have been around for centuries; the first book on the Ruy Lopez was written in 1561. Not so the Jobava System. This is a thoroughly modern opening that has only achieved prominence in the last decade or so. It is named after the Georgian chess visionary Baadur Jobava, a highly imaginative and creative grandmaster. The Jobava System is based around the opening moves 1 d4 d5 2 Nc3 Nf6 3 Bf4. For many years this was considered to be a quiet and unassuming backwater of chess theory. No longer!
Thanks to the efforts of Jobava and others this system has been honed into a fierce attacking weapon. As this opening is so new the correct defensive methods are not well understood. This makes the system extremely dynamic and dangerous.
In this book, Simon Williams (the Ginger GM) delves deep into the Jobava and offers up a complete repertoire based on this exciting new system. The advantages are clear:
– There is very little existing theory
– Black cannot play safely on “auto-pilot”
– It is fresh and it’s fun!
The variation of the French that starts 1 e4 e6 2 d4 d5 3 Nc3 (or 3 Nd2) 3 ... dxe4 is often called the Rubinstein Variation. It is a great way to simplify the position and ensure that the middlegame battle rewards strategic understanding rather than rote memorisation of opening moves. It is also a very useful weapon to defuse the attacking intentions of aggressive White players who plan an all-out assault in the main lines of the French Defence.
An important feature of the lines after 3...dxe4 4 Nxe4 is that Black has various different ways to continue. 4 ... Nd7 is the most common but 4 ... Bd7 (planning ... Bc6 – the Fort Knox Variation), 4 ... Be7 and 4 ... Nf6 are all possible. All these lines are covered in the book.
Finally, White can, of course, avoid the 3 ... dxe4 variation with (amongst others) the Advance Variation, 3 e5. Martin provides antidotes to all these possible sidelines and so the variations in the book provide a complete repertoire to meet 1 e4.
The Tarrasch Variation of the Queen’s Gambit Declined is a fierce counter-attacking line arising after 1 d4 d5 2 c4 e6 3 Nc3 c5. In this variation Black gains free and easy piece play but in return usually has to accept the structural weakness of an Isolated Queen’s Pawn (IQP). In the early development of chess theory this line was somewhat frowned upon due to the vulnerability of the IQP. However, Siegbert Tarrasch, after whom the opening is named, famously declared that, “he who fears an Isolated Queen’s Pawn should give up chess”.
The Tarrasch has had many powerful adherents over the years including the legendary Garry Kasparov who made much use of it in the early part of his career. In this book Cyrus Lakdawala guides the reader through the complexities of the Tarrasch and carves out a repertoire for Black, based on a modern treatment popularised by the Russian grandmaster Daniil Dubov. He examines all aspects of this highly complex opening and provides the reader with well-researched, fresh, and innovative analysis. Each annotated game has valuable lessons on how to play the opening and contains instructive commentary on typical middlegame plans.
– A complete repertoire for Black to counter 1 d4.
– The question and answer approach provides an excellent study method.
The Queen’s Gambit Accepted (1 d4 d5 2 c4 dxc4) has a long history and has always been popular at all levels of play. However, in the past few years it has undergone an explosion of interest, thanks to many new discoveries of possibilities for very dynamic play from Black. One of these is the line 1 d4 d5 2 c4 dxc4 3 e4 b5!?. This was previously thought to be a very poor line for Black but numerous recent games and investigations have completely changed this assessment. This is now almost the main line of the Queen’s Gambit Accepted and there is currently very little theoretical material on it.
Nicolas Yap analyses this line in forensic detail and also investigates other popular, counterattacking lines such as 3 e3 e5!?. The book is rounded off with suggestions to meet other White systems that involve 1 d4 but not 2 c4 (such as the London, Colle etc.) This makes the book a complete repertoire to face 1 d4.
Do you want a simple and practical method to counter Black’s kingside fianchetto defences after 1 d4? A line that takes the initiative from a very early stage and creates difficult practical problems? If so, then The Harry Attack (1 d4 Nf6 2 c4 g6 3 h4!) is for you.
At first this looks like some sort of joke or, at the very least, a weird outlandish line. Aren’t we all taught to focus on development and control of the centre in the early stages? What’s 3 h4 got to do with that?
Perhaps surprisingly, this is a very difficult line for Black to counter effectively. This applies not just in practical play but also theoretically, where it is far from straightforward for Black even to find a route to equality. And when Black gets it wrong they are often on the receiving end of a very unpleasant miniature.
You may be thinking that surely the best chess engines can show how to counter this line? No! One of the unexpected features of leading engine play is their enthusiasm for shoving the h-pawn up the board and they fully concur that 3 h4! is a very decent move for White. Many leading players have taken the hint and 3 h4 is frequently seen at elite level.
Richard Palliser and Simon Williams (the GingerGM) provide a thorough guide to this fascinating line. They show how to adapt when Black chooses a King’s Indian set-up, a Grünfeld set-up, a Benoni set-up or even plays in Benko style.
The Harry Attack is easy to learn and is perfect for unsettling players steeped in the theory of their favourite Indian defences.
The English Defence (1 d4 e6 2 c4 b6) is a dynamic, counter-attacking line, initially investigated by English grandmasters. Black aims to set White difficult problems to solve at the very earliest stage of the game. Black’s play is provocative – aiming to lure White into establishing a big pawn centre. This is a risky strategy as White falls behind in development and Black switfly becomes very active. However, if White’s response is more circumspect then Black can often manoeuvre into favourable structures reminiscent of positions arising from the Nimzo-Indian Defence, the Queen’s Indian Defence or even the Dutch.
José González provides an excellent analysis of this complex opening and carves out a powerful repertoire for Black covering all lines after 1 d4. It is possible for White to avoid the "English battle" by playing either 2 Nf3 or even 2 e4 (a rare move for 1 d4 players but seen occasionally). Gonzalez champions an aggressive variant of the Dutch against 2 Nf3 and outlines a simple but effective French Defence repertoire to counter 2 e4.
Having you ever been tortured at the chessboard? If so, then you have probably been a victim of pressure play.
Elite players are brilliant exponents of pressure play. In situations where they have either a tiny advantage or no advantage at all they are highly adept at constantly setting problems for their unfortunate opponents. The position on the board may appear lifeless but they can probe and find plans and regroupings that will constantly ask their opponents difficult questions. These can be countered only by continual alert and accurate defence and we all know how difficult and wearing that can be.
The arch exponent of pressure play is world champion Magnus Carlsen. Carlsen is superb in this area of the game and consistently defeats world class opposition from simplified positions where he has no advantage whatsoever. How does he do it?
In this book, the highly experienced author and coach Neil McDonald analyses the finest examples of pressure play. In doing so he teases out the fundamental concepts that enable players like Carlsen to torture their opponents mercilessly.
– Paralyse the enemy pieces.
– Target the weakest squares on the board.
– Increase and exploit a space advantage.
Master pressure play and it will be your opponent on the rack, not you.
In this book the highly experienced grandmaster Milos Pavlovic outlines a powerful repertoire for White based on 1 d4. The variations are very much based on strategic themes where an understanding of plans is far more important than memorisation of lines and move orders. The author focuses on important positional considerations such as:
– Which pieces need to be traded off.
– On which squares will pieces be most effective.
– What is the best way to develop the initiative.
Nowadays many strong players try to beat opponents by learning sharp lines in the opening. However, it is also possible to do the same by obtaining positions where you have a great understanding of how to conduct the middlegame and thus can consistently outplay your opponent.
In Opening Repertoire: Strategic Play with 1 d4, Milos Pavlovic guides the reader through the chosen variations and carves out a complete repertoire for White. He examines all aspects of play and provides the reader with well-researched, fresh, and innovative analysis. Each annotated game has valuable lessons on the opening and contains instructive commentary on typical middlegame plans.
– A complete repertoire for White with 1 d4.
– A question and answer approach provides an excellent study method.
Are you a parent of a junior chess player who feels that because you don’t know how to play chess, you can’t help your child? Or are you an adult or junior chess player who has taken private chess lessons for years, but feels you haven’t been progressing?
In both cases, there can be a lot of reliance on a chess coach who has been given free rein with lesson content and direction. They probably have some sort of plan but it is likely to be a plan used for all their students. This is not ideal. More important is a well-thought out, individualized plan, that focuses on a specific player’s unique strengths and weaknesses. Formulating such a plan is crucial for making improvements.
Victoria Doknjas and her son John Doknjas are an ideal writing partnership to tackle this topic. John is a FIDE Master who has already established himself as an excellent and highly-respected author who understands the improvement process very well. Victoria has over a decade of experience navigating the competitive chess arena with her three master-level sons, including also running her own chess academy. Together they offer a unique and informative insight to those wanting to get more out of their chess studies, as well as presenting practical advice in areas including:
– Identifying important goals and how to work towards them.
– Understanding how to objectively analyse your games.
– Maximising the efficiency of software and engines for learning.
Reading this book can broaden your horizons in the essential areas of chess study, and ideally let you better evaluate what your chess coach is teaching you. And if you don’t have a chess coach, this book will provide you with an excellent foundation for serious chess study.
How often have you seen a game like this?
The hero has no advantage whatsoever but somehow manages to keep setting the opponent problems. Their opponent goes slightly astray and suddenly hero has a tiny advantage. It’s not much but now that they have a little something to work with, they are in their element. They play accurately and remorselessly and make life incredibly difficult for their opponent. Suddenly, and almost imperceptibly, their advantage increases. Further tiny inaccuracies follow, hero turns the screw and bags the full point. Their opponent is left shaking their head, wondering where on earth they went wrong.
This is the squeeze and the great champions have been capable of squeezing opponents to death. José Capablanca, Tigran Petrosian, Anatoly Karpov and, in the current era, Magnus Carlsen are legendary in this respect.
How do they do it? How do they set problems in apparently sterile positions? How can they continuously manage to defeat world class opposition from positions that others would simply give up as drawn?
In this book, Cyrus Lakdawala explains the mechanisms commonly used in squeeze plays. Using examples from the world’s greatest strategic masters he unpicks the secrets of the squeeze.
The Richter-Veresov Attack is characterized by the moves 1.d4, 2.Nc3 and 3.Bg5. It is a great system for players who want to take their opponents away from well-known theory, force them into unfamiliar situations and make them fight on their own resources. There are various modern interpretations of the Richter-Veresov Attack which usual involve White playing f3 at some point. However, in this book, the highly experienced chess author and coach Cyrus Lakdawala focuses on the traditional treatment which generally eschews f3 in favour of more classical development with moves such as Nf3, e3 or even Qf3.
In Opening Repertoire: Richter-Veresov Attack, Lakdawala guides the reader through the complexities and carves out a repertoire for White. He examines all aspects of this highly complex opening and provides the reader with well-researched, fresh, and innovative analysis. Each annotated game has valuable lessons on how to play the opening and contains instructive commentary on typical middlegame plans.
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