Here we are, together on this page, both interested in the French Defence with 3.Nc3 Bb4. Before telling you what you can learn from this opening, let me tell you a little story about my journey in the French. I started playing the French after reading John Watson’s Play the French, which improved my play a lot. I learned that the French is a positional yet concrete opening, and many of my young opponents couldn’t grasp its subtleties. Moreover, many opponents were far less prepared against 1...e6 than against 1...c5 or 1...e5. Unfortunately those days would end. During the 2008 Dutch Youth Championships (U20), I understood that everyone would throw 7.Qg4 in the Winawer at me. In that respect, my opening preparation was simple: I’d study the Winawer for Black very intensively and the problem would be solved. In reality, I faced many difficulties. Novelties I’d find in the evenings were promptly refuted by the engine the next morning; I was constantly thinking about the French, but I couldn’t quite make it work. There was this strange, inexplicable feeling in my stomach, some might call “butterflies”. I had fallen in love with a chess line! Despite my two losses in the crucial games, I still believed I had a great repertoire with countless novelties to show for it.
This book is about the practical approach to the game of chess. It shaped me as a player and now I would like to share my philosophy with you. My objective is to combat several generally accepted misconceptions, such as a) only studying opening theory will make you a better player, b) one should always follow the first or second line shown by Komodo or Stockfish, and finally, c) that “in theory” is equivalent to “over the board”. The last fallacy is especially dangerous because it implies that players will keep on making the best moves over the board, and therefore sidelines should never be played as the opponent will always find a way to retain and convert the advantage. That is in theory. In practice, however, many players will feel like fish out of water once they end up in a position that is objectively better for them but one that they have never analyzed. Overall, based on my experience as a chess professional, I strongly believe that the above-mentioned fallacies do not hold true empirically, The book is divided into four parts. Part I covers sidelines in the mainstream openings where I take a major opening and analyze one or several sidelines. This is the most theoretical part of the book, where I share a significant amount of original thoughts and analyses that constitute my opening repertoire. Part II discusses the concept that I refer to as systems. It still involves theory, but less so in comparison to Part I. What I am trying to convey in this part is the “schematic thinking” – where you think in terms of plans and typical ideas. Part III takes one step further in abstraction – it analyzes notable modern games where one player showed ambition early on in the game and it worked out well for him. Part IV covers the so-called “early surprises” where early on in the game a player implemented a move that shocked his opponent.
For the purpose of writing this book I decided to look at all the games Veselin has played from 1995 until the present, as there were many I didn’t know! I must say that, although seeing great moves from a 2800 player sounds normal, it was impossible not to be astonished by some of his games. Topalov is one of the kings of practical decisions in chess. He regards chess as more a sport than a science. If he thinks an idea will work over the board, the notion of risk is irrelevant to him. He wants to be on the attack and believes an objectively inferior position isn’t necessarily bad if his opponent needs to find several difficult defensive moves. “If that’s the only move for my opponent, let’s enter the line and see if he sees it!” is his philosophy. He never liked peace over the board or routine play. The moments where he has refused to repeat moves or has sacrificed something strictly out of intuition are countless. In short, Topalov’s aim has always been to hit hard and bring his own touch to the game, and I think he has succeeded!
I am not seeking glory with this book, but I certainly had to have a book in tactics! That’s the main idea of the book; to be a companion for trainers and players who seek improvement — simple but effective! The names of the mates are not important. What’s crucial is understanding and subconsciously memorising these patterns in order to recognise when they’re about to occur in a player’s own games. These mating patterns are not confined to chess problems and puzzles. As will be shown, they occur in the games of Grandmasters and even World Champions, past and present! They belong to everybody’s games, even beginners’! Each mate’s theoretical pattern is presented as a diagram, with constructed examples and actual games. It is suggested that students set-up and play through these mates from the losers’ viewpoint as well. Most difficult of all is recognising patterns when they occur horizontally (i.e., rotated 90 degrees) from the normal orientation. The key to each pattern is the status of the squares surrounding the king: which ones are obstructed, which are potential flight squares that can be controlled with the available pieces. Players are advised to know these patterns forwards, backwards and upside down!
During my chess career I have played almost 4000 classical games, a good deal of them against grandmasters, including world's top players, a number of which I managed to defeat. A lot of these games are interesting and instructive, and studying them will definitely help any player to get new expertise, learn new ideas and therefore improve their chess skill. This book is divided into three chapters. The first part is a brief description of my life and career. The second chapter includes 54 of my most memorable victories grouped by their main contents (tactics, attack, positional play etc.) while in every section games are arranged in chronological order. The third chapter is specifically devoted to endgames and contains analyses of the 12 most interesting, often amazing endgames, I had in my practice. Some of the games and endings were published (mostly a long time ago) in various chess magazines. All my earlier annotations have been fully revised for this book, with the help of more modern computers and analysing engines. I don’t understand the strange approach of some chess commentators (mostly those providing online coverage of games), who decline using chess engines in order to give more "human" commentaries (which leads to numerous mistakes and blunders as they can't fully concentrate on the games in the same way as players do). I don't see any contradiction between human explanation of decisions taken in the games and their verification with technical aids. On top of this, computer analysis often reveals fantastic possibilities hidden in the position, which are as instructive as details of human thinking.
(FREE RE-DOWNLOADABLE FOR THOSE WHO PURCHASED THE FIRST EDITION) Contrary to what the critical pessimists might say, the Reti opening is an ambitious weapon for White. By avoiding the main theoretical debates, White tries to reach an unbalanced position from an early stage of the game, with many different plans being available.
This book series is about that central question: what matters in the opening? What plans are on hand? Which (hidden) concepts are concealed in the current position that has arisen just after the opening? Volume 2 in a new series by Herman Grooten covers Queen’s Gambit Structures.
Understanding Before Moving: Part 1
What actually matters in the opening? Which plans are available, and what hidden ideas are concealed in the position you reach just as the opening ends? Those questions — far more useful to an improving player than another twenty moves of memorised theory — are the subject of Herman Grooten’s series, and Part 1 applies them to the Ruy Lopez and Italian structures.
Grooten’s premise is that you should understand before you move: grasp the typical pawn structures and the plans they dictate, and the individual moves start to make sense on their own. The book opens with chapters on how to study openings and what really goes on "behind the scenes," then builds a clear overview of the structures arising from the Ruy Lopez and the Italian Game.
The ideas are then cemented through carefully chosen model games — where you see the plans played out in full — and a set of exercises to test your understanding.
A genuinely instructive bridge between raw opening theory and practical middlegame play, ideal for club players who keep reaching the middlegame with no idea what to do. Part of an ongoing series covering the major structures.
The strategic part of the book consists of thirty-two fully-annotated games divided into five chapters, with the fifth chapter divided into four subchapters. In this strategic part I have given an insight into the historical development of the variation and have tried to help the reader understand the most common plans and concepts for both sides. My own practical experiences in this variation date back to 1994, and over the years I have tried it with Black versus greats like Kramnik, Shirov and Grischuk. Some of these experiences are included in the book. The Chigorin Variation is rich in ideas which can be used in a range of middlegame positions arising from different variations. Understanding the strategic ideas of this complex variation is also a middlegame improvement ‘tool’ and a must for anyone wanting to take his or her chess to the next level. The current trend, developed in recent years, is for Black to capture on d4 with his e-pawn, aiming for Benoni-type pawn structure positions which lead to rather double-edged positions. These modern developments and the current theoretical state of affairs in general are dealt with in the theoretical part of the book by my friend, Ivan Salgado. This ‘Chigorin bible’ aims to be the ultimate improvement ‘tool’ for club and tournament players in the variation. The first part provides the reader with a good understanding of general plans and strategic concepts and the second part provides direct theoretical knowledge.
I assume that most of you have read (and enjoyed!) the first volume of this series, but for those who haven’t: don’t worry. The level of the content of the two books is identical and you can work through the second volume without having studied the first one. However, it’s still not too late to get a copy of the first volume! In the first six chapters I will mainly look at positions with limited material left on the board. Endgames, yes, but also positions where the initiative plays an important role. My aim is to illustrate the specific features of all the pieces and this can best be done without too many other pieces on the board.
The book Together with the Candidates that you are holding is firstly a book of tests with their solutions, given in the format of game fragments with detailed comments. All the tasks in this book have been taken from games of the Candidates competitions. They differ very much in their degree of complexity. I hope this will allow a wide circle of readers to find the tests corresponding to their own chess level here.
(Free re-downloadable for those who purchased the first edition!) One of the remarkable things about the Accelerated Dragon is its appeal to players with vastly different styles. In this book International Master Raja Panjwani presents a repertoire for Black demonstrating a dynamic way to fight 1.e4 from the second move.
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