{"id":158,"date":"2021-05-13T16:07:57","date_gmt":"2021-05-13T16:07:57","guid":{"rendered":"https:\/\/sandbox.forwardchess.com\/blog\/?p=158"},"modified":"2021-05-16T14:21:02","modified_gmt":"2021-05-16T14:21:02","slug":"my-first-chess-opening-repertoire-for-black","status":"publish","type":"post","link":"https:\/\/forwardchess.com\/blog\/my-first-chess-opening-repertoire-for-black\/","title":{"rendered":"My First Chess Opening Repertoire for Black"},"content":{"rendered":"<p><em>&#8220;&#8230; I feel that the main reasons to buy an opening book are to give a good overview of the opening, and to explain general plans and ideas. &#8230;&#8221;<\/em> &#8211; <strong>GM John Nunn (2006)<\/strong><\/p>\n<hr \/>\n<p>Our BOOK OF THE WEEK is <em><strong><a title=\"ORB\" href=\"https:\/\/forwardchess.com\/product\/my-first-chess-opening-repertoire-for-black\" target=\"_blank\" rel=\"noopener\">My First Chess Opening Repertoire for Black<\/a><\/strong><\/em> by Vincent Moret.<\/p>\n<p>Every chess player needs to decide which openings he or she is going to play. But where do you start? The risk of drowning in the turbulent sea of chess opening theory is only too real for beginning amateurs. Often your goals and ambitions will be misguided. If you are trying to win in 20 moves, copy what&#8217;s in fashion among top-GM&#8217;s or memorize variations, you are wasting your time. Most likely you will never get to play your \u2018preparation&#8217; and end up aimlessly switching from one opening to the other. After the success of his volume for White, Experienced French chess trainer Vincent Moret now provides a complete, ready-to-go chess opening repertoire for Black. It consists of a sound set of lines that do not outdate rapidly, do not require memorization and are easy to digest for beginners and post-beginners. To show the typical plans and the underlying ideas in the various lines of his repertoire, Moret not only selected games of Grandmasters. He also uses games of young, improving players to highlight the errors they tend to make.<\/p>\n<p>The recommendations are generally gambits and sidelines that allow Black to reach a position in which he can fight for the initiative, an ideal battleground for a club player who spends most of his study time on tactics &#8211; as he should.<\/p>\n<hr \/>\n<p>Here is an excerpt from the book on the author&#8217;s recommendation of the Scandinavian.<\/p>\n\n\n<p class=\"rpbchessboard-spacerBefore\"><\/p>\n\n<div id=\"rpbchessboard-6adf5da73925d-1\" class=\"rpbchessboard-chessgame\">\n    <noscript>\n        <div class=\"rpbchessboard-javascriptWarning\">\n            You must activate JavaScript to enhance chess game visualization.        <\/div>\n    <\/noscript>\n    <div class=\"rpbchessboard-chessgameAnchor\"><\/div>\n    <script type=\"text\/javascript\">\n        jQuery(document).ready(function($) {\n            var selector = '#' + \"rpbchessboard-6adf5da73925d-1\" + ' .rpbchessboard-chessgameAnchor';\n            RPBChessboard.renderPGN($(selector), {\"pgn\":\"[Event \\\"?\\\"]\\r\\n[Site \\\"?\\\"]\\r\\n[Date \\\"????.??.??\\\"]\\r\\n[Round \\\"?\\\"]\\r\\n[White \\\"?\\\"]\\r\\n[Black \\\"?\\\"]\\r\\n[Result \\\"*\\\"]\\r\\n\\r\\n{This Scandinavian system is easy to learn. There are no major theoretical lines\\r\\nthat need to be swallowed whole (there aren\\u2019t any, anyway), as in some\\r\\nvariations of the Sicilian for example. It is enough to know the general ideas,\\r\\nto know where to develop your pieces, to understand some move order subtleties,\\r\\nand above all to remember the tactical themes and classical combinations, some\\r\\nof which will recur quite frequently. The Portuguese Scandinavian is very tricky\\r\\nfor White. An unprepared opponent runs all the risks (or has every chance,\\r\\ndepending on which side you are on) of falling into a multitude of tactical\\r\\ntraps. We will see, for example, that one of the fathers of the Portuguese\\r\\nVariation, IM Rui Damaso, has mated a grandmaster with an Elo of over 2500 in\\r\\njust 13 moves $1 Few openings offer this possibility with black. (&#8230;)} 1. e4 d5\\r\\n{After the move 1&#8230;d5 Black decides to go to battle immediately by opening the\\r\\ncentre, in contrast to the French (1&#8230;e6) or the Caro-Kann (1&#8230;c6), where this\\r\\ncentral &#8230;d7-d5 thrust is prepared by a pawn move. Black\\u2019s #1 objective in the\\r\\nScandinavian will be the ultra-fast development of the pieces, especially on the\\r\\nqueenside (which is normal, since Black has specifically advanced the queen\\u2019s\\r\\npawn first). No time will be wasted on unnecessary pawn moves. For example, in\\r\\nChapter 4 we will see one of the main variations of the Portuguese Scandinavian\\r\\nwhere Black generally only plays one pawn move (&#8230;d7-d5 $1) during the first\\r\\nseven moves, all the other moves being devoted to developing a new piece. After\\r\\nWhite takes on d5 (there is no satisfactory alternative), and an eventual\\r\\nrecapture by the queen (the set-up we will advocate in our repertoire), here is\\r\\nthe plan of development to which Black must aspire. The queen, which took the\\r\\npawn on d5 (not necessarily on the second move, as we will see), will inevitably\\r\\nbe forced to leave its central position after being attacked by the c3-knight.\\r\\nThis is the main objection that can be made against the Scandinavian. All\\r\\nbeginners are taught that the queen should not be developed too soon because of\\r\\nthe risk of losing time through being attacked. This is true, but we will have\\r\\nto live with it, and above all make this drawback an advantage. In the Classical\\r\\nScandinavian, the black queen often takes refuge on a5. In our Portuguese\\r\\nVariation we shall see that it can find a much more active (and less exposed $1)\\r\\nsquare on the kingside, on h5 or even f5. The knights will be \\u2013 as far as\\r\\npossible \\u2013 developed on their natural squares on f6 and c6. The c8-bishop has\\r\\nthe c8-h3 diagonal, which has been opened by the &#8230;d7-d5 move, at its disposal.\\r\\nIt will often be very well placed on f5 or on g4 (the key square for the bishop\\r\\nin the Portuguese $1). As the queenside has been mobilized first the king will\\r\\noften castle queenside, allowing the a8-rook to be developed to the d-file,\\r\\nopposite the white queen. Black\\u2019s queenside castling is certainly a very common\\r\\ntheme in the Scandinavian, simply because it is quicker than castling kingside.\\r\\nIf the white king castles kingside, the subsequent opposite-side castling\\r\\npositions promise beautiful attacking games that will keep aggressive players\\r\\nhappy. The f8-bishop may go to e7, d6, c5 or b4 (spoiled for choice $1), as soon\\r\\nas the e7-pawn has moved to either e6, or even better to e5. Finally, the\\r\\nh8-rook will naturally be the last black piece to come into play. It can often\\r\\ntake up a position on the e-file when &#8230;e7-e5 has been played, sometimes even\\r\\nbefore the white king has had time to be evacuated to safety by castling. In\\r\\naddition to a rook\\\/queen face-off on the d-file, it is possible to have a second\\r\\nrook\\\/king one on the e-file. The situation is potentially explosive. Of course,\\r\\nall this remains purely theoretical, and it is by no means certain that it will\\r\\nalways be feasible. But at least it\\u2019s a plan, and we know that in chess it is\\r\\nalways essential to have one, especially in the opening. If a picture is worth a\\r\\nthousand words, then a diagram should equally be worth much more than a long\\r\\nvariation. Let us then take a look at the usual (ideal $1) development pattern for\\r\\nBlack in the Classical Scandinavian (where the queen has recaptured on d5 on the\\r\\nsecond move):} *\",\"pieceSymbols\":\"native\",\"navigationBoard\":\"scrollLeft\",\"withFlipButton\":true,\"withDownloadButton\":true,\"nboSquareSize\":32,\"nboCoordinateVisible\":true,\"nboTurnVisible\":true,\"nboColorset\":\"original\",\"nboPieceset\":\"cburnett\",\"nboAnimated\":true,\"nboMoveArrowVisible\":true,\"nboMoveArrowColor\":\"r\",\"idoSquareSize\":32,\"idoCoordinateVisible\":true,\"idoTurnVisible\":true,\"idoColorset\":\"original\",\"idoPieceset\":\"cburnett\"});\n        });\n    <\/script>\n<\/div>\n\n<p class=\"rpbchessboard-spacerAfter\"><\/p>\n\n<div><\/div>\n<div><\/div>\n<div><img loading=\"lazy\" decoding=\"async\" class=\"imageUploaderImg\" src=\"https:\/\/images.chesscomfiles.com\/uploads\/v1\/images_users\/tiny_mce\/ForwardChess\/php6thQQd.png\" alt=\"Board1\" width=\"502\" height=\"505\" \/><\/div>\n<p>And here\u2019s what this set-up could give if White plays logical and natural developing moves (but not necessarily the best ones):<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"imageUploaderImg\" src=\"https:\/\/images.chesscomfiles.com\/uploads\/v1\/images_users\/tiny_mce\/ForwardChess\/phpWMnvy8.png\" alt=\"Board2\" width=\"503\" height=\"504\" \/><\/p>\n<p>After the move \u2026e7-e5 Black\u2019s pressure on the d-file has become unbearable due to the pin on the d4-pawn, and the situation can very quickly turn disastrous for White. Let us look at two example games, both played by the multiple French Girls Campion Mathilde Congiu against strong opponents.<\/p>\n<div>\n\n<p class=\"rpbchessboard-spacerBefore\"><\/p>\n\n<div id=\"rpbchessboard-6adf5da73925d-2\" class=\"rpbchessboard-chessgame\">\n    <noscript>\n        <div class=\"rpbchessboard-javascriptWarning\">\n            You must activate JavaScript to enhance chess game visualization.        <\/div>\n    <\/noscript>\n    <div class=\"rpbchessboard-chessgameAnchor\"><\/div>\n    <script type=\"text\/javascript\">\n        jQuery(document).ready(function($) {\n            var selector = '#' + \"rpbchessboard-6adf5da73925d-2\" + ' .rpbchessboard-chessgameAnchor';\n            RPBChessboard.renderPGN($(selector), {\"pgn\":\"[Event \\\"Cannes\\\"]\\r\\n[Site \\\"?\\\"]\\r\\n[Date \\\"????.??.??\\\"]\\r\\n[Round \\\"?\\\"]\\r\\n[White \\\"Paul Saint Amand\\\"]\\r\\n[Black \\\"Mathilde Congiu\\\"]\\r\\n[Result \\\"0-1\\\"]\\r\\n[BlackElo \\\"2149\\\"]\\r\\n[ECO \\\"B01\\\"]\\r\\n[EventDate \\\"2010.??.??\\\"]\\r\\n[WhiteElo \\\"2131\\\"]\\r\\n\\r\\n1. e4 d5 2. exd5 Qxd5 3. d4 {It is more natural to gain time against the queen\\r\\nstraight away by 3.Nc3.} 3... Nc6 ({Black can take advantage of White&#8217;s\\r\\ninaccuracy by immediately playing the equalizing move} 3... e5 $5) 4. Nf3 Bg4 5.\\r\\nBe2 ({Here again it was better to chase the queen from her central position\\r\\nimmediately by playing the natural} 5. Nc3) 5... O-O-O 6. Nc3 Qa5 {Black could\\r\\ntake advantage of this move order, which is somewhat unusual for White, to\\r\\nreposition her queen on f5, or even better h5: two squares that are more active\\r\\nthan the classical a5, as we will see in Chapters 3 and 4. But Mathilde prefers\\r\\nto remain faithful to the traditional Scandinavian lines (1.e4 d5 2.exd5 Qxd5\\r\\n3.Nc3 Qa5).} 7. Be3 Nf6 {This line had already occured in 1869, between two of\\r\\nthe best players of the time, Johannes Zukertort and Louis Paulsen. But Black\\r\\nhad played the modest 7&#8230;e6 here, thus depriving himself of the strong\\r\\npossibility in the game.} 8. O-O $2 {This natural move already leads to an almost\\r\\nlosing position for White. It was absolutely necessary to play 8.a3, as in the\\r\\ngame Malakhov-Fressinet 3013, to threaten b2-b4 and prevent the next move. After\\r\\n8.a3 the French grandmaster evacuated his queen to f5: the proof &#8211; if needed &#8211;\\r\\nthat in this game it would have been better to immediately bring the queen to\\r\\nthe kingside rather than a5 on move 6} 8... e5 $1 {The liberating move, which will\\r\\noccupy an essential place in Chapters 3 and 4 (so you might as well remember it\\r\\nnow $1), and which here brings what can be described as Black\\u2019s \\u2018dream\\u2019 position\\r\\nin the Scandinavian. White already has great difficulties because of the\\r\\npressure on the d4-pawn. Unsurprisingly, out of 269 games recorded with this\\r\\nposition in the 2017 Mega Database, the score is emphatically close to 80% in\\r\\nBlack\\u2019s favour $1} 9. d5 {This loses a pawn, but what else $2 Black threatens to\\r\\nexchange on f3 and then to capture on d4, winning a piece.} ({A year after this\\r\\ngame, during the French Rapid Championships, Mathilde had exactly the same\\r\\nposition against Claire Boursier. White tried to unpin the d-pawn by playing} 9.\\r\\nQe1 $2 {and immediately lost the piece after} 9... exd4 10. Nxd4 Nxd4 11. Bxg4+\\r\\nNxg4 12. Bxd4 Rxd4 {, and 0-1 several moves later. We will see this tactical\\r\\ntheme (exchange on f3 and then capture on d4) again in the next game.}) 9...\\r\\nNxd5 10. Nxd5 Rxd5 {Black has a good extra pawn and a better position.} 11. Qc1\\r\\nBc5 (11... e4 $1 12. Nd4 Bxe2 13. Nxe2 f5 {was a simpler way to keep a big\\r\\nadvantage.}) 12. c3 Qb6 $6 (12... Bxe3 13. fxe3 f5 $17) 13. Bxc5 Qxc5 14. Qg5\\r\\n{White finally has managed to get some compensation.} 14... Be6 (14... h5 $1 15.\\r\\nQxg7 Rdd8 $1 {and Black keeps good prospects on the kingside, notably thanks to\\r\\nthe g-file.}) 15. Qxg7 Rhd8 (15... Rdd8 $1 {in order to play on the g-file, was\\r\\nstronger.}) 16. Rad1 $2 ({After} 16. Qxh7 {the position is not that clear.}) 16...\\r\\ne4 17. Ng5 $4 {A rather surprising blunder from a player with an Elo of over\\r\\n2100.} ({After} 17. Rxd5 Rxd5 18. Nh4 Rd2 {Black is still better, but nothing\\r\\nhas been decided yet.}) 17... Rxg5 18. Rxd8+ Nxd8 0-1\",\"pieceSymbols\":\"native\",\"navigationBoard\":\"scrollLeft\",\"withFlipButton\":true,\"withDownloadButton\":true,\"nboSquareSize\":32,\"nboCoordinateVisible\":true,\"nboTurnVisible\":true,\"nboColorset\":\"original\",\"nboPieceset\":\"cburnett\",\"nboAnimated\":true,\"nboMoveArrowVisible\":true,\"nboMoveArrowColor\":\"r\",\"idoSquareSize\":32,\"idoCoordinateVisible\":true,\"idoTurnVisible\":true,\"idoColorset\":\"original\",\"idoPieceset\":\"cburnett\"});\n        });\n    <\/script>\n<\/div>\n\n<p class=\"rpbchessboard-spacerAfter\"><\/p>\n<\/p>\n<\/div>\n<div><\/div>\n<div>\n<div>\n\n<p class=\"rpbchessboard-spacerBefore\"><\/p>\n\n<div id=\"rpbchessboard-6adf5da73925d-3\" class=\"rpbchessboard-chessgame\">\n    <noscript>\n        <div class=\"rpbchessboard-javascriptWarning\">\n            You must activate JavaScript to enhance chess game visualization.        <\/div>\n    <\/noscript>\n    <div class=\"rpbchessboard-chessgameAnchor\"><\/div>\n    <script type=\"text\/javascript\">\n        jQuery(document).ready(function($) {\n            var selector = '#' + \"rpbchessboard-6adf5da73925d-3\" + ' .rpbchessboard-chessgameAnchor';\n            RPBChessboard.renderPGN($(selector), {\"pgn\":\"[Event \\\"France tt\\\"]\\r\\n[Site \\\"?\\\"]\\r\\n[Date \\\"2010.??.??\\\"]\\r\\n[Round \\\"?\\\"]\\r\\n[White \\\"Sophie Milliet\\\"]\\r\\n[Black \\\"Mathilde Congiu\\\"]\\r\\n[Result \\\"0-1\\\"]\\r\\n[BlackElo \\\"2175\\\"]\\r\\n[ECO \\\"B01\\\"]\\r\\n[WhiteElo \\\"2391\\\"]\\r\\n\\r\\n1. e4 d5 2. exd5 Qxd5 3. Nc3 Qa5 4. Nf3 Nc6 {The move order has been slightly\\r\\nmodified to conform to the Scandinavian. The game actually started 1&#8230;Nc6 2.Nf3\\r\\nd5 3.exd5 Qxd5 4.Nc3 Qa5.} 5. d4 Bg4 6. Be2 $6 {This overly passive move allows\\r\\nBlack to reach the \\u2018ideal\\u2019 Scandinavian position. It was necessary to play 6.Bb5\\r\\n0-0-0 7.Bxc6 bxc6 8.Qd3 to unpin the f3-knight and thus prevent &#8230;e7-e5. 8&#8230;c5\\r\\ngives nothing: 9.d5 e6 10.0-0 exd5 $2 11.Ne5+\\u2013, with an attack on the g4-bishop,\\r\\nbut also two fork threats on f7 and c6.} 6... O-O-O 7. Be3 Nf6 8. h3 $2 {This is\\r\\nno better than 8.0-0, which we saw in the previous game.} 8... Bxf3 (8... e5 $1\\r\\n{was already possible.}) 9. Bxf3 e5 ({The natural move in this position, but\\r\\nthis time there was a much stronger option:} 9... Nxd4 10. Bxd4 Qb4 {, and Black\\r\\nregains the piece with a pawn extra.}) 10. Bxc6 {There was no other option to\\r\\nreduce the pressure on d4.} 10... bxc6 11. Qf3 $4 (11. Qd3 $1 {was the only move\\r\\nfor White. After} 11... exd4 12. Bxd4 {Black cannot take advantage of the pin.\\r\\nThe attempt to do so by 12&#8230;c5 $2 is not possible because of 13.Qf5+, and} 12...\\r\\nRe8+ 13. Be3 Bc5 14. O-O-O Bxe3+ 15. fxe3 Re6 {gives an almost equal position.\\r\\nThe pawn weaknesses on both sides cancel each other out.}) 11... exd4 {Black\\r\\nwins a piece. It is rare to see the five-time French Women\\u2019s Champion find\\r\\nherself in such a position after only 11 moves.} 12. O-O-O dxc3 13. Rxd8+ Kxd8\\r\\n14. Qxc6 {It is now clear that White does not have anything like sufficient\\r\\ncompensation for the piece.} 14... Qxa2 15. Rd1+ Bd6 16. bxc3 Qa3+ 17. Kd2 Re8\\r\\n18. Rb1 Ke7 19. Rb7 Rd8 20. Bd4 Qa5 21. Rb5 Qa2 22. c4 Bf4+ 23. Kd3 Qa3+ 24. c3\\r\\nQa2 25. Qc5+ Ke8 26. Qc6+ Kf8 {The black king will now escape the checks by\\r\\nfinally taking refuge on the kingside. White, on the other hand, can no longer\\r\\nparry the decisive check on d2.} 0-1\",\"pieceSymbols\":\"native\",\"navigationBoard\":\"scrollLeft\",\"withFlipButton\":true,\"withDownloadButton\":true,\"nboSquareSize\":32,\"nboCoordinateVisible\":true,\"nboTurnVisible\":true,\"nboColorset\":\"original\",\"nboPieceset\":\"cburnett\",\"nboAnimated\":true,\"nboMoveArrowVisible\":true,\"nboMoveArrowColor\":\"r\",\"idoSquareSize\":32,\"idoCoordinateVisible\":true,\"idoTurnVisible\":true,\"idoColorset\":\"original\",\"idoPieceset\":\"cburnett\"});\n        });\n    <\/script>\n<\/div>\n\n<p class=\"rpbchessboard-spacerAfter\"><\/p>\n<\/p>\n<\/div>\n<\/div>\n<p>Black won these games with impressive ease, one might say. Unfortunately, if White is not as cooperative as here, Black will rarely get to this dream position through the usual Classical Variation.<\/p>\n<p>Indeed, White can (and should!) very quickly attack and even harass the black queen. Let us not lose sight of the fact that the early development of the queen is the major disadvantage of the classical Scandinavian with 2&#8230;Qxd5.<\/p>\n<p>We should not get carried away by these two exciting games by Mathilde Congiu. Let us now see how things can sometimes turn out very badly for Black.<\/p>\n<p>(&#8230; the author then proceeds to give two examples where the Black queen is targeted, then show how Black can play for compensation after 2&#8230;Nf6 where he either obtains compensation for a pawn after 3.d4 Bg4!? due to his lead in development or transposes into the ideal setup while avoiding the traps. See the book for more details.)<\/p>\n<hr \/>\n<p>Why choose the <a title=\"FC\" href=\"https:\/\/forwardchess.com\/product\/my-first-chess-opening-repertoire-for-black\" target=\"_blank\" rel=\"noopener\"><strong>Forward Chess<\/strong><\/a> edition? It is cheaper than the physical version and the variations are more efficient to play through on a digital board.<\/p>\n<p><a title=\"ORB\" href=\"https:\/\/forwardchess.com\/product\/my-first-chess-opening-repertoire-for-black\" target=\"_blank\" rel=\"noopener\"><em><strong>Learn More: My First Chess Opening Repertoire for Black<\/strong><\/em><\/a><\/p>\n<figure><a title=\"My First Chess Opening Repertoire For Black\" href=\"https:\/\/forwardchess.com\/product\/my-first-chess-opening-repertoire-for-black\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"imageUploaderImg aligncenter\" src=\"https:\/\/images.chesscomfiles.com\/uploads\/v1\/images_users\/tiny_mce\/ForwardChess\/phpuKFQD1.jpeg\" alt=\"My First Chess Opening Repertoire For Black\" width=\"410\" height=\"567\" \/><\/a><\/figure>\n<p><a href=\"https:\/\/forwardchess.com\/product\/my-first-chess-opening-repertoire-for-black\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-216 size-full\" src=\"https:\/\/forwardchess.com\/blog\/wp-content\/uploads\/2021\/05\/button6.png\" alt=\"\" width=\"197\" height=\"48\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;&#8230; I feel that the main reasons to buy an opening book are to give&#8230;<\/p>\n","protected":false},"author":2,"featured_media":159,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/forwardchess.com\/blog\/wp-json\/wp\/v2\/posts\/158"}],"collection":[{"href":"https:\/\/forwardchess.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/forwardchess.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/forwardchess.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/forwardchess.com\/blog\/wp-json\/wp\/v2\/comments?post=158"}],"version-history":[{"count":3,"href":"https:\/\/forwardchess.com\/blog\/wp-json\/wp\/v2\/posts\/158\/revisions"}],"predecessor-version":[{"id":235,"href":"https:\/\/forwardchess.com\/blog\/wp-json\/wp\/v2\/posts\/158\/revisions\/235"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/forwardchess.com\/blog\/wp-json\/wp\/v2\/media\/159"}],"wp:attachment":[{"href":"https:\/\/forwardchess.com\/blog\/wp-json\/wp\/v2\/media?parent=158"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/forwardchess.com\/blog\/wp-json\/wp\/v2\/categories?post=158"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/forwardchess.com\/blog\/wp-json\/wp\/v2\/tags?post=158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}